MTO Correspondents | |
Per F. Broman, Sweden | Nicolas Meeus, Belgium, France |
Peter Castine, Germany | Ken-ichi Sakakibara, Japan |
Wai-ling Cheong, Hong Kong | Roberto Saltini, Brazil |
Geoffrey Chew, England | Michiel Schuijer, Holland |
Gerold W. Gruber, Austria | Uwe Seifert, Germany |
Henry Klumpenhouwer, Canada | Arvid Vollsnes, Norway |
Marco Renoldi, Italy | Tess James, England |
Jay Rahn, Practical Aspects of Marchetto's Tuning
- [No Frames]
2. Review
- Floyd Grave, Review of William E. Caplin,
Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
(New York and Oxford: Oxford University Press, 1998)
- Musical Borrowing from the Middle Ages to
the Present
- Music Theory Southeast: Call for Papers
- International Conference on Meter, Rhythm,
and Performance
- CHAMP D'ACTION - a meta-composition for computer-controlled ensemble
- Polish Music Journal: Call for Papers
- Fourth European Music Analysis Conference:
Analysis in Europe Today
- New England Conference of Music Theorists:
Call for Papers
- West Coast Conference of Music Theory:
Call for Papers
- Organs, Organisms, Organisations: Organic
Form in 19th-Century Discourse
- Mathematical Connections in Art, Music,
and Science
- Eastman School of Music, Musicologist
- Butler University, Associate Professor of
Music Theory
- Hunter College, Assistant Professor of
Music Theory
- University of Southampton, Professorship
in Music
- University of Connecticut, Assistant
Professor of Jazz Studies
- Indiana University, Head, Music Library
- Western Michigan University, Dean,
College of Fine Arts
- Carey, Norman, A. "Distribution Modulo 1 and Musical
Scales." University of Rochester, 1998.
- Djordjevic, Michael, L. "Discrete Tone Relations
Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum." Radio Belgrade, 1995.
- Lemieux, Glenn C. "Music in Twelve Parts" by Philip
Glass: Reconstruction, Construction and Deconstruction." University of Iowa, 1999.
- Quaglia, Bruce, W. "Compositional Practice and Analytic Technique; Schoenbergs Atonal Works: Reconciling Approaches to Sets, Lines and Developing Variation."
University of Utah, 1998.
- Van Colle, Sue, J. "Music therapy process with cerebral palsied children: connections with psychoanalytic models, particularly that of Winnicott." University of Reading,
1999.
- Vives, Thomas E. "The Effect of Timbre on the Chord
Identification Accuracy of Sophomore-Level College Music Theory Students." University of Florida, 1998.
- Weisser, Benedict J. "Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)."
City University of New York, 1998.
- Oxford University Press
- Michael Kelly, ed. Encyclopedia of Aesthetics
- Timothy J. McGee, The Sound of Medieval Song:
Ornamentation and Vocal Style According to the Treatises
- Peter Schubert, Modal Counterpoint, Renaissance Style
- Eric Chafe, Analyzing Bach Cantatas
- Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann
- Wayne Schneider, ed. The Gershwin Style: New Looks at the Music of George Gershwin
- Nicholas Cook and Mark Everist, eds. Rethinking Music
- Carl Schachter, Unfoldings: Essays in Schenkerian Theory and Analysis, ed. Joseph N. Straus
- Wayne D. Bowman, Philosophical Perspectives on Music
- Derek Matravers, Art and Emotion
- Princeton University Press
- James Haar, The Art and Science of Renaissance Music
- University of Rochester Press
- Paul Mark Walker, Theories of Fugue from the Age of Josquin to the Age of Bach
- Jonathan Bernard, ed. Elliot Carter: Colleged Essays and Lectures, 1937-1995
- Routledge
- Stan Godlovitch, Musical Performance: A Philosophical Study
- MTO Subscriber Survey: Preparedness for a Web-only Journal...
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11/6/98