Dissertation Index
Author: Pymm, John M Title: Narrative Trails in the Speech-Based Music of Steve Reich Institution: University of Southampton Begun: September 2009 Completed: July 2013 Abstract: This thesis considers Steve Reich’s speech-based compositions between 1963 and 1988 in the light of their source materials. The collection comprises seven pieces: The Plastic Haircut (1964); Livelihood (1964); It’s Gonna Rain (1965); Come Out (1966); Buy Art, Buy Art (1967); My Name Is (1967), and Different Trains (1988). The sources for these pieces constitute a plethora of hitherto unexamined audio recordings, transcriptions of which are included in a separate volume of appendices. The study presents a detailed transcription and consideration of these archival sources, culminating in a new narrative reading of each of Steve Reich’s speech-based pieces from the first three decades of his compositional output. Although some recordings now exist on-line, Reich’s decision in 2008 to transfer his private archive to the Paul Sacher Stiftung in Basel, Switzerland, has opened up a much larger collection. This considerable body of source material allows a new understanding of the stories told by each of these seven pieces. Whilst firmly rejecting the notion that his music tells stories, Reich has accepted that the documentary nature of the recorded materials for his speech-based works marks them out as a special case. This invites scrutiny of the relationship between these recordings and the pieces themselves, shedding new light on the narrative trails that connect them. Keywords: Steve Reich Minimalist Speech-based archive Paul Sacher Stiftung 1960s Narratology TOC: List of Tables Glossary of Narrative Terms Acknowledgements Chapter 1: Mapping Reich’s Narrative Trails Chapter 2: The Plastic Haircut and Livelihood Chapter 3: It’s Gonna Rain Chapter 4: Come Out Chapter 5: Bye, Bye Art: 1967 And All That Chapter 6: Different Trains Chapter 7: Conclusions Bibliography Contact: Professor John Pymm j.m.pymm@outlook.com |