Music Theory Online Volume 19, Number 4

Volume 19 Number 4, December 2013

Editor’s Message

Articles

Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s Rodelinda	19.4.1
Gregory J. Decker (Bowling Green State University)

Hollywood Cadences: Music and the Structure of Cinematic Expectation	19.4.2
Frank Lehman (Tufts University)

A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009	19.4.3
Steven Rings (University of Chicago)

Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext	19.4.4
René Rusch (McGill University)

Reviews

Review of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization (University of Rochester Press, 2012)	19.4.5
Zachary Bernstein (City University of New York, Graduate Center)

Review of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012)	19.4.6
Christopher Endrinal (Florida Gulf Coast University)

Review of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014)	19.4.7
Mary Wennerstrom (Indiana University)

Conference Report

Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM)	19.4.8
Philip A. Ewell (Hunter College and CUNY Graduate Center)

MTO Personnel for the Current Volume

Updated November 25 2017

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