EXAMPLE TESTING


Example 1. Soprano Part of Four2

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Example 2. A Transcription of the Time-Bracket Structure of Four2

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Example 3. Prevalence of All Pitch Class Sets in All Simulations, Organized by Set Class

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Example 4. Prevalence of All Pitch Class Sets in All Simulations, Organized by Cardinality

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Example 5a. Prevalence of Set Classes Over Time in Simulations of Four2
(Interactive Graph)

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Example 5b. Prevalence of Set Classes Over Time in Simulations of Four2
(All Cardinalities)

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Example 5c. Prevalence of Set Classes Over Time in Simulations of Four2
(Cardinalities 0–2)

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Example 5d. Prevalence of Set Classes Over Time in Simulations of Four2
(Cardinalities 3–4)

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Example 6. Prevalence of Set Class (03) Over Time

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Example 7. Prevalence of Set Class (037) Over Time

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Example 8. Soportia’s Interpretation of Four2

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Example 9. C Major and Surrounding Fifths (Soportia)

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Example 10. A Major and Surrounding Fifths (Soportia)

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Example 11. Possibilities for Sustained Drones on A and F

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Example 12. Acuta’s Interpretation of Four2

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Example 13. Destabilization of Opening D-Minor Sonority (Acuta)

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Example 14. Emphasis on ic1 at the End of the Piece (Acuta)

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Example 15. Varia’s Interpretation of Four2

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Example 16a. First Four Time Brackets of Four2: Transcription of the First Time Bracket for Each Part

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Example 16b. First Four Time Brackets of Four2: Prevalence of Notes in the First Time Bracket for Each Part in Random Simulations

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Example 17. Flowchart of Likely Harmonic Progression from 0’00” to 1’30”

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Example 18. Progressions from sc (04) to sc (037) to sc (03) (Varia)

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Example 19. Expanded Intervallic Progression About Each Triad (Varia)

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Example 20. I6-related Trichords (Varia)

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Example 21. Metera’s Interpretation of Four2

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Example 22. Registral Order of First and Last Four Sounds (Metera)

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Example 23. Near-Triads and Arpeggiations (Metera)

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Example 24. Quasi-Cadential Figure (Metera)

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Example 25. Transcription of Houston Chamber Choir (ECM New Series)

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Example 26. Transcription of Ars Nova Copenhagen, Version 1 (Mode)

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Example 27. Transcription of Ars Nova Copenhagen, Version 2 (Mode)

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Example 28. Comparison of Distribution of Densities (by Number of Vocal Parts) in the Monte Carlo Simulations, Fictional Conductors’ Interpretations, and Selected Recordings of Four2

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Example 29. Comparison of Distribution of Densities (by Number of Vocal Parts) in the Monte Carlo Simulations, Fictional Conductors’ Interpretations, and Selected Recordings of Four2

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Example 30. Average Density of Voices in Simulations of Four2 Over Time

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Example 31. Prevalence of Density of Voices Over Time in All Simulations

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Example 32. Histograms of the Prevalence of Cardinalities in Simulations, with Recordings and Fictional Conductors’ Interpretations Superimposed

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Example 33. Prevalence of (037)-Related Sets and Non-(037)-Related Sets in the Simulations Over Time

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Example 34. Soportia’s Interpretive Response to Dissonant Moments

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Example 35. Acuta’s Interpretive Response to Dissonant Moments

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