Music Theory Online Volume 24, Number 2

Volume 24 Number 2, June 2018

Editor’s Message

Articles

Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96)	24.2.1
Joseph R. Jakubowski (Washington University in St. Louis)

Musical Mimesis in Orphans of the Storm	24.2.2
Kendra Preston Leonard (Humble, TX)

Four Studies of Charlie Parker's Compositional Processes	24.2.3
Henry Martin (Rutgers University-Newark)

Feedback and Feedforward Models of Musical Key	24.2.4
Christopher Wm. White (University of Massachusetts, Amherst)

Prokofiev at 125

Introduction: Prokofiev at 125	24.2.5
Inessa Bazayev (Louisiana State University)

An Octatonic History of Prokofiev’s Compositional Oeuvre	24.2.6
Inessa Bazayev (Louisiana State University)

Visualizing Peter: The First Animated Adaptations of Prokofiev’s Peter and the Wolf	24.2.7
Deborah Rifkin (Ithaca College)

Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords	24.2.8
Christopher Segall (University of Cincinnati)

Review

Review of The Cambridge Companion to the Singer-Songwriter, ed. Katherine Williams and Justin A. Williams (Cambridge University Press, 2016)	24.2.9
Nancy Murphy (University of Houston)

MTO Personnel for the Current Volume

Updated June 29 2018

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