EXAMPLE TESTING

Example 1. Measures 29–44 of Beethoven Pathétique Sonata, II

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Table 1. Fifteen emotion terms derived from a content analysis of 592 discrete comments (totaling 453 of the 592 comments), along with the number or responses that were classified as belonging to each category in parentheses

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Example 2. A screenshot of the interface used in the empirical study. Participants listened to each segment first and then adjusted the slider for each of the three emotion categories assigned

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Example 3. Expressive analysis of mm. 34–44 of Beethoven’s Pathétique Sonata, second movement

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Example 4. Average ratings for each of the five statements of the theme for sad/depressed/tragic, carefree, and weighty dimensions averaged over each segment comprising the statement

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Table 2. Group means (standard deviations) for expressive dimensions averaged over each of the five statements of the theme

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Table 3. Extreme ratings by formal section

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Example 5. Expressive analysis of measures 20–29 of Beethoven’s Pathétique Sonata, II

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Table 4. The sixteen musical gesture parameters used as measured predictor variables in a regression analysis of the data from the movement

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Table 5. Regression models based on the analysis and perceived emotional expression of each five-second segment

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Example A1. Histogram showing intra-participant correlations for each participant-scale. 76 participant-scales had correlations lower than +.25, and so were eliminated from further analysis

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Table A1. Means (standard deviations) of intra-participant reliability for each affective category averaged across participant-scale

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Table A2. The mean inter-participant correlations for all participant-scales below +.25 correlation

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