Music Theory Online Volume 26, Number 2

Volume 26 Number 2, June 2020

Editor’s Message

Articles

Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop	26.2.1
Kyle Adams (Indiana University)

Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’s Boléro	26.2.2
Gurminder K. Bhogal (Wellesley College)

Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music	26.2.3
Ragnhild Brøvig-Hanssen (University of Oslo) Bjørnar E. Sandvik (University of Oslo) Jon Marius Aareskjold-Drecker (University of Agder)

Music Theory and the White Racial Frame	26.2.4
Philip A. Ewell (Hunter College and CUNY Graduate Center)

Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert	26.2.5
Jonathan Guez (The College of Wooster)

Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals	26.2.6
Kyle Hutchinson (University of Toronto)

Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina	26.2.7
Noah Kahrs (Eastman School of Music)

Climax Building in Verismo Opera: Archetype and Variants	26.2.8
Ji Yeon Lee (University of Houston)

Portmantonality and Babbitt’s Poetics of Double Entendre	26.2.9
Joshua Banks Mailman (Columbia University)

Multi-Strand Musical Narratives: An Introduction	26.2.10
Judith Ofcarcik (Fort Hays State University)

Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012	26.2.11
Gilad Rabinovitch (Florida State University)

Fanfare as Fulcrum: A Pivotal Event in Max Steiner’s Theme for Warner Brothers	26.2.12
Brent Yorgason (Brigham Young University) Jeff Lyon (Brigham Young University)

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Updated May 01 2020

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