Sociable Musicopoetics in Vijay Iyer and Mike Ladd's In What Language
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Abstract
Through an extended analysis of an excerpt from Vijay Iyer and Mike Ladd’s In What Language, this essay engages with the ongoing deepening of the theory of improvised interactivity. Few studies within music research have considered the rich body of works combining music and poetry in improvising contexts. This article advocates for listening to Iyer and Ladd’s co-created work through the lens of sociable musicopoetics, hearing the interactivity in the creative processes of Iyer and Ladd. Through analysis and interviews, this article suggests that the sociable musicopoetics framework helps work against the restrictive binaries of music/language and composition/improvisation.
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