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Vol. 28 No. 3 (2022)
Published:
2022-11-15
Articles
Sociable Musicopoetics in Vijay Iyer and Mike Ladd's In What Language
Vilde Aaslid
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George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles
Jack Boss
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Gestural Perspectives on Popular-Music Performance
Samuel Gardner, Nicholas Shea
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Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation
Andrew Goldman
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Reassessing the Plagal Cadence in Byrd and Morley
Megan Long
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A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception
Stephen McAdams, Meghan Goodchild, Kit Soden
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Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music
Mark Micchelli
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Teleology in Verse–Prechorus–Chorus Form, 1965–2020
Drew Nobile
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The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers
William O'Hara
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