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Vol. 27 No. 3 (2021)
Published:
2021-09-29
Articles
Macroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem
Matthew Chiu
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Schubert’s Large-Scale Sentences: Exploring the Function of Repetition in Schubert’s First-Movement Sonata Forms
Caitlin Martinkus
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Emergent Modality: Minor-to-Major Progressions as “Tragic-to-Transcendent” Narratives in Brahms’s Solo Songs
Loretta Terrigno
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The Pen as Camera: Finnissy and Overexposure
Richard Beaudoin
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Cage’s Imitation Game: Cheap Imitation and Song Books through the Sketches
Jeff Perry
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Material Connections: Bruce Goff, Music and Modernism Across the Arts
Benjamin Levy
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Disco Culture and the Ritual Journey in the Soviet 1980s
Kevin Karnes
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Giving Voice to a Foxtrot from Auschwitz-Birkenau
Patricia Hall
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Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Works at IRCAM, 1982–87
Landon Morrison
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Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2
Laura Emmery
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