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Vol. 26 No. 2 (2020)
Published:
2020-07-01
Articles
Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel's Bolero
Gurminder Kaur Bhogal
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Fanfare as Fulcrum: A Pivotal Event in Max Steiner's Theme for Warner Brothers
Brent Yorgason, Jeff Lyon
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Music Theory's White Racial Frame
Philip Ewell
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Consonance, Dissonance, and Large-Scale Form in Two Works by Sofia Gubaidulina
Noah Kahrs
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Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop
Kyle Adams
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Reimagining Historical Improvisation: An Analysis of Robert Levin's Fantasy on Themes by W. A. Mozart, October 29, 2012
Gilad Rabinovitch
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Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals
Kyle Hutchinson
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Climax Building in Verismo Opera: Archetype and Variants
Ji Yeon Lee
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Portmantonality and Babbitt’s Poetics of Double Entendre
Joshua Mailman
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Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music
Ragnhild Brøvig-Hanssen, Bjørnar E. Sandvik, Jon Marius Aareskjold-Drecker
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Multi-Strand Musical Narratives: An Introduction
Judith Ofcarcik
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Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert
Jonathan Guez
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