MTO

Music Theory Online

ISSN 1067-3040

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Volume 9, Number 2, July 2003
Copyright � 2003 Society for Music Theory
Table of Contents

Articles


Peter Silberman (University of Rochester)
Post-Tonal Improvisation in the Aural Skills Classroom
[With Frames] [Without Frames]
 
Alfred Cramer (Pomona College)
The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstrations Using Auditory Streaming
[With Frames] [Without Frames]
 

Employment Opportunities

New Dissertations

  • Goldenberg, Yosef. "Prolongation of Seventh Chords in Tonal Music." Hebrew University, Jerusalem, September 2001.
  • BaileyShea, Matthew L. "The Wagnerian Satz: The Rhetoric of the Sentence in Wagner'sPost-Lohengrin Operas." Yale University, May 2003.

Book Review


Judy Lochhead (Stony Brook University)
Review of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon
(Cambridge: Cambridge University Press, 2001)
[With Frames] [Without Frames]


Announcements

Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Editor
mto-editor@societymusictheory.org
Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jack Boss (University of Oregon)
Editorial Board
Nicola Dibben (University of Sheffield) Julian L. Hook (Indiana University)
Robert Hatten (Indiana University) Andrew Mead (University of Michigan)
John Snyder (University of Houston)
Managing Editor
Brent Yorgason (Indiana University)
Editorial Assistant
Stanley V. Kleppinger (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

Copyright Statement

Copyright � 2003 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

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This page prepared by Timothy Koozin, Editor
Updated 10 July 2003