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Articles |
Special Issue on Performance and Analysis:
Views from Theory, Musicology, and Performance
Robert Hatten
(Indiana University) |
Introduction |
|
Nicholas Cook
(Royal Holloway, University of London) |
Prompting Performance: Text, Script, and Meaning in Bryn Harrison's être-temps[With
Frames] [Without
Frames] |
|
William Rothstein
(Queens College and CUNY Graduate Center) |
Like Falling off a Log: Rubato in Chopin�s Prelude in A-flat Major, Op. 28 No.
17[With
Frames] [Without
Frames] |
|
Daphne Leong
(University of Colorado�Boulder)
and Elizabeth McNutt
(Boulder, CO) |
Virtuosity in Babbitt�s Lonely Flute
[With
Frames] [Without
Frames] |
|
Elizabeth McNutt |
A Postscript on Process |
|
Janet Schmalfeldt
(Tufts University) |
Response |
|
Daphne Leong and Elizabeth McNutt |
Response to Janet Schmalfeldt's Response
[With
Frames] [Without
Frames] |
|
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MTO PERSONNEL
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Editor |
mto-editor@societymusictheory.org
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Timothy
Koozin (University of Houston) |
Reviews Editor |
mto-reviews@societymusictheory.org |
Jack
Boss (University of Oregon) |
Editorial Board |
Marion Guck (University of Michigan) |
Julian
L. Hook (Indiana University) |
Rebecca Leydon
(Oberlin College) |
Andrew
Mead (University of Michigan) |
Richard
Parncutt (University of Graz, Austria) |
Peter Schubert (McGill University) |
Managing Editor |
Brent
Yorgason (Indiana University) |
List Managers |
Jay
Rahn (York University): mto-talk Manager |
Ichiro
Fujinaga (McGill University): MTO Manager |
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Copyright Statement
Copyright � 2005 by the Society for Music Theory.
All rights reserved.
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This page prepared by Brent Yorgason, Managing Editor
Updated
03 March 2005