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Articles |
Luis-Manuel Garcia
(University of Chicago) |
On and On: Repetition as Process and Pleasure in Electronic Dance Music
[With Frames] [Without
Frames] |
|
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Employment
Opportunities
|
- Florida State University, Assistant, Associate, or
Professor
- Bowling Green State University, Assistant
Professor of Musicology
- Eastman School of Music, Music Theorist
- University of Michigan, Assistant Professor
- University of California, Irvine, Assistant Professor
in Composition
- University of Chicago, Assistant Professor
- University of Iowa, Assistant Professor
- University of Notre Dame, Associate Professor
or Professor
- University of Washington, Assistant Professor
- Binghamton University, Assistant Professor
|
New Dissertations
|
-
Gonzales, Cynthia I. "Text-Music Relationships in the Early Songs of Arnold Schoenberg."
Harvard University, October 2005.
-
Martens, Peter A. "Beat-Finding, Listener Strategies,
and Musical Meter." University of Chicago, June 2005.
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|
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Book Reviews
|
Mark Spicer
(City University of New York) |
Review of Walter Everett, The Beatles as
Musicians:
The Quarry Men Through Rubber Soul
(New York and Oxford: Oxford University Press, 2001)
[With Frames] [Without
Frames] |
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Please direct all queries to the MTO
Editor or to the MTO
Manager
|
MTO PERSONNEL
|
Editor |
mto-editor@societymusictheory.org
|
Timothy
Koozin (University of Houston) |
Reviews Editor |
mto-reviews@societymusictheory.org |
Jack
Boss (University of Oregon) |
Editorial Board |
Marion Guck (University of Michigan) |
Julian
L. Hook (Indiana University) |
Rebecca Leydon
(Oberlin College) |
Andrew
Mead (University of Michigan) |
Richard
Parncutt (University of Graz, Austria) |
Peter Schubert (McGill University) |
Managing Editor |
Brent
Yorgason (Indiana University) |
List Managers |
Jay
Rahn (York University): mto-talk Manager |
Ichiro
Fujinaga (McGill University): MTO Manager |
|
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to collect, preserve, and serve this Archival Unit |
Copyright Statement
Copyright � 2005 by the Society for Music Theory.
All rights reserved.
[1] Copyrights for individual items published in MTO are held by their
authors. Items appearing in MTO may be saved and stored in electronic
or paper form, and may be shared among individuals for purposes of scholarly
research or discussion, but may not be republished in any form, electronic
or print, without prior, written permission from the author(s), and advance
notification of the editors of MTO.
[2] Any redistributed form of items published in MTO must include the
following information in a form appropriate to the medium in which the items
are to appear:
This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on
[DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose
written permission it is reprinted here.
[3] Libraries may archive issues of MTO in electronic or paper form
for public access so long as each issue is stored in its entirety, and no access
fee is charged. Exceptions to these requirements must be approved in writing
by the editors of MTO, who will act in accordance with the decisions
of the Society for Music Theory.
Prepared by Brent Yorgason, Managing Editor
Updated
13 October 2005