MTO

Music Theory Online

ISSN 1067-3040

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Volume 11 Number 4, October 2005
Copyright � 2005 Society for Music Theory
Table of Contents

Articles

 
Luis-Manuel Garcia
(University of Chicago)
On and On: Repetition as Process and Pleasure in Electronic Dance Music
[With Frames] [Without Frames]
Allan F. Moore
(University of Surrey)
The Persona-Environment Relation in Recorded Song
[With Frames] [Without Frames]
Dmitri Tymoczko
(Princeton University)
     Voice Leadings as Generalized Key Signatures  

Employment Opportunities

New Dissertations

  • Gonzales, Cynthia I. "Text-Music Relationships in the Early Songs of Arnold Schoenberg." Harvard University, October 2005.
  • Martens, Peter A. "Beat-Finding, Listener Strategies, and Musical Meter." University of Chicago, June 2005.

Book Reviews


Mark Spicer
(City University of New York)
Review of Walter Everett, The Beatles as Musicians:
The Quarry Men Through
Rubber Soul
(New York and Oxford: Oxford University Press, 2001)
[With Frames] [Without Frames]

Announcements

Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Editor
mto-editor@societymusictheory.org
Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jack Boss (University of Oregon)
Editorial Board
Marion Guck (University of Michigan) Julian L. Hook (Indiana University)
Rebecca Leydon (Oberlin College) Andrew Mead (University of Michigan)
Richard Parncutt (University of Graz, Austria) Peter Schubert (McGill University)
Managing Editor
Brent Yorgason (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

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Copyright Statement

Copyright � 2005 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

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Prepared by Brent Yorgason, Managing Editor
Updated 13 October 2005