Music Theory Online Volume 28, Number 3

Volume 28 Number 3, September 2022

Editor’s Message

Articles

Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language	28.3.1
Vilde Aaslid (University of Rhode Island)

George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles	28.3.2
Jack Boss (University of Oregon)

Gestural Perspectives on Popular-Music Performance	28.3.3
Samuel Gardner (Oberlin College) Nicholas J. Shea (Arizona State University)

Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation	28.3.4
Andrew Goldman (Indiana University)

Reassessing the Plagal Cadence in Byrd and Morley	28.3.5
Megan Kaes Long (Oberlin College)

A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception	28.3.6
Stephen McAdams (McGill University) Meghan Goodchild (Queen's University) Kit Soden (McGill University)

Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music	28.3.7
Mark Micchelli (University of Pittsburgh)

Teleology in Verse–Prechorus–Chorus Form, 1965–2020	28.3.8
Drew F. Nobile (University of Oregon)

The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers	28.3.9
William O’Hara (Gettysburg College)

MTO Personnel for the Current Volume

Updated August 30 2022

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