Music Theory Online Volume 26, Number 3

Volume 26 Number 3, September 2020

Editor’s Message

Articles

(Per)forming Open Form: A Case Study with Earle Brown’s Novara	26.3.1
Drake Andersen (Vassar College)

Continuous Question-Answer Pairs	26.3.2
Yosef Goldenberg (Jerusalem Academy of Music and Dance)

The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative	26.3.3
Megan L. Lavengood (George Mason University)

Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns for The Girl’s Own Paper	26.3.4
Rachel Lumsden (Florida State University)

Resolving Tensions between Outer Form and Inner Form in Fugue: A Comparative Analysis of J. S. Bach’s Fugue in D minor (WTC I)	26.3.5
Sarah Marlowe (Eastman School of Music)

“All of the Rules of Jazz”: Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation	26.3.6
Brian A. Miller (Yale University)

Harmonizing Chorales Systematically: A Translation of G. H. Stölzel’s Kurzer und gründlicher Unterricht (Brief and Thorough Instruction), ms. c.1719–1749	26.3.7
Derek Remeš (Lucerne University of Applied Sciences and Arts)

Prolongational Closure in the Lieder of Fanny Hensel	26.3.8
Stephen Rodgers (University of Oregon) Tyler Osborne (University of Oregon)

The Music of Chen Yi

Introduction: The Music of Chen Yi	26.3.9
Jennifer Bain (Dalhousie University)

Compositional Process and Technique in Happy Rain on a Spring Night (2004)	26.3.10
Chen Yi (University of Missouri-Kansas City)

The Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004)	26.3.11
Nancy Yunhwa Rao (Rutgers, the State University of New Jersey)

Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)	26.3.12
John Roeder (University of British Columbia)

Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002)	26.3.13
Marianne Kielian-Gilbert (Indiana University)

Reviews

Review of Keith Waters, Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (Oxford University Press, 2019)	26.3.14
Ben Baker (Eastman School of Music)

Review of Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (Oxford University Press, 2019)	26.3.15
Matthew Mendez (Yale University)

MTO Personnel for the Current Volume

Updated August 29 2020

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