Volume 27 Number 4, December 2021

Copyright © 2021 Society for Music Theory


Editor’s Message

Articles

Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971
27.4.1
        David S. Carter (Loyola Marymount University)
Onset and Contiguity: Melodic Feature Reduction and Pattern Discovery
27.4.2
        Aaron Carter-Ényì (Morehouse College)
        Gilad Rabinovitch (Florida State University)
Romantic Periods
27.4.3
        Diego Cubero (University of North Texas)
The Logic of Six-Based Minor for Harmonic Analyses of Popular Music
27.4.4
        Trevor de Clercq (Middle Tennessee State University)
Rebonds: Structural Affordances, Negotiation, and Creation
27.4.5
        Ben Duinker (University of Toronto)
Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II
27.4.6
        Jocelyn Ho (University of California, Los Angeles)
Brahmsian Articulation: Ambiguous and Unfixed Structures in Op. 38
27.4.7
        Ana Llorens (Universidad Complutense de Madrid)
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show
27.4.8
        Olivia R. Lucas (Louisiana State University)
Sometimes the Music Wins: Text and Music in a Willaert Madrigal
27.4.9
        Peter Schubert (McGill University)

Reviews

Review of Megan Kaes Long, Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century (Oxford University Press, 2020)
27.4.10
        Gregory Barnett (Rice University)
Review of Laura Emmery, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches (Routledge, 2020)
27.4.11
        Peter Smucker (Stetson University)




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Updated November 16 2021