Music Theory Online Volume 30, Number 2

Volume 30 Number 2, June 2024

Editor’s Message

Articles

A Thread of Recitative Ruffs: Schemas and Schenker’s Analysis of “Erbarm es, Gott”	30.2.1
Matthew L. C. Boyle (Bloomington, IN) Paul Sherrill (University of Utah)

Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès	30.2.2
James Donaldson (University of Oxford)

Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021	30.2.3
David Geary (Wake Forest University)

A General Method For Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint	30.2.4
Jacob Gran (Louisiana Tech University)

Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni	30.2.5
Christoph Neidhöfer (McGill University)

Prosodic Dissonance	30.2.6
Eron Smith (Oberlin College & Conservatory)

Pitch Registration and Harmonic Fields in Works of Pierre Boulez, Marco Stroppa, and Yukiko Watanabe	30.2.7
Simon Tönies (Justus-Liebig-Universität Gießen)

MTO Personnel for the Current Volume

Updated June 03 2024

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