Music Theory Online Volume 30, Number 3

Volume 30 Number 3, September 2024

Editor’s Message

Articles

Hands, Fingers, Strings, and Bows: Performance Technique and Analysis in J.S. Bach’s Largo for Solo Violin	30.3.1
Christa Cole (Oberlin College & Conservatory)

Post-Recapitulatory Organization in Beethoven’s Early Sonata-Rondo Finales	30.3.2
Joan Huguet (Knox College)

Mid-Exposition Modal Contrast and Francesco Galeazzi’s “Characteristic Passage”	30.3.3
Rebecca Long (University of Louisville)

On Meter and the Social Dynamics of Cueing in Bill Monroe’s “Muleskinner Blues”	30.3.4
Nathaniel Mitchell (Wesleyan University)

Three Sailors, Three Personalities: Choreomusical Analysis of the Solo Variations in Fancy Free	30.3.5
Rachel Short (Shenandoah University)

Referents in the Palimpsests of Jazz: Disentangling Theme from Improvisation in Recordings of Standard Jazz Tunes	30.3.6
Sean R. Smither (The Juilliard School, The New School)

Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy	30.3.7
Bjørnar Utne-Reitan (Mälardalen University)

MTO Personnel for the Current Volume

Updated August 30 2024

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