Music Theory Online Volume 29, Number 4

Volume 29 Number 4, December 2023

Editor’s Message

Articles

Embedded Dissonance in Eighteenth- and Nineteenth-Century Harmonic Theory and Practice	29.4.1
Karl Braunschweig (Wayne State University)

Female Subjectivities in the Words, Music, and Images of Progressive Metal: The Case of Tatiana Shmayluk (Jinjer)	29.4.2
Lori Burns (University of Ottawa)

Contrapuntal Direction and the Diagnosis of Compositional Relationships in Fifteenth-Century Masses	29.4.3
Tim Daly (University of New England, Australia)

Out of the Blue: Preparing Proportions in the Old Hall Manuscript	29.4.4
Philippa Ovenden (University of Toronto)

Windows into Beethoven’s Lessons in Bonn: Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie (1773) and Vogler’s Gründe der Kuhrpfälzischen Tonschule in Beyspielen (1776/1778)	29.4.5
Thomas William Posen (The College of Idaho)

Symposium on the Music of Salvatore Sciarrino

Introduction: Sciarrino’s Novel Forms	29.4.6
Robert Hasegawa (McGill University)

Reimagining Formal Functions in Post-Tonal Music: Temporality in the Semanticized Form of Salvatore Sciarrino	29.4.7
Christian Utz (University of Music and Performing Arts Graz)

Reimagining Organicism: An Ecological Aesthetics of Music and Self-Organizing Structures in the Works of Salvatore Sciarrino	29.4.8
Mingyue Li (University of Oxford)

Gestural Temporality in Sciarrino’s Recitativo oscuro	29.4.9
Antares Boyle (Portland State University)

Essay

Global Philosophy of Music: Ji Kang versus Hanslick	29.4.10
Gavin S. K. Lee (Soochow University)

Review

Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023)	29.4.11
Clifton Boyd (New York University) Jade Conlee (Yale University)

MTO Personnel for the Current Volume

Updated December 01 2023

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