Volume 26 Number 4, December 2020

Copyright © 2020 Society for Music Theory


Editor’s Message

Articles

Instrumental Transformations in Heinrich Biber’s Mystery Sonatas
26.4.1
        Jonathan De Souza (Western University)
Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350
26.4.2
        Karen Desmond (Brandeis University)
        Emily Hopkins (McGill University)
        Samuel Howes (McGill University)
        Julie E. Cumming (McGill University)
Mapping Ravel’s “La vallée des cloches”
26.4.3
        Kyle Fyr (Mahidol University)
A Transformational Approach to Gesture in Shō Performance
26.4.4
        Toru Momii (Columbia University)
Analyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw
26.4.5
        Joon Park (University of Arkansas)
Pen, Paper, Steel: Visualizing Bach’s Polyphony at the Bauhaus
26.4.6
        Stephanie Probst (University of Cologne)
A “Proto-Theme” in Some of J. S. Bach’s Fugal Works
26.4.7
        John S. Reef (Nazareth College)
Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll
26.4.8
        Nicholas Stoia (Duke University)
Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg’s Sechs kleine Klavierstücke, op. 19 (1911), in the Recordings of Eduard Steuermann and Other Pianists
26.4.9
        Christian Utz (University of Music and Performing Arts Graz)
        Thomas Glaser (University of Music and Performing Arts Graz)

Reviews

Review of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020)
26.4.10
        Robin Attas (Queen's University)
Review of Jason Yust, Organized Time: Rhythm, Tonality, and Form (Oxford University Press, 2018)
26.4.11
        Leah Frederick (Oberlin College and Conservatory)
Review of Leslie A. Tilley, Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond (The University of Chicago Press, 2019)
26.4.12
        Marc Hannaford (University of Michigan)




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