Music Theory Online Volume 28, Number 1

Volume 28 Number 1, March 2022

Editor’s Message

Articles

Mixture Strategies: An Analytical Framework for Musical Hybridity	28.1.1
Bruno Alcalde (University of South Carolina)

Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music	28.1.2
Zachary Cairns (University of Missouri - St. Louis)

Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”	28.1.3
Calder Hannan (Columbia University)

A Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion	28.1.4
Justin London (Carleton College)

Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder	28.1.5
Alexander Martin (Stetson University)

Three Audiovisual Correspondences in the Main Title for Vertigo	28.1.6
Scott Murphy (University of Kansas)

Was Mesopotamian Tuning Diatonic? A Parsimonious Answer	28.1.7
Jay Rahn (York University)

Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet	28.1.8
Sam Reenan (Miami University)

Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10	28.1.9
Matthew Zeller (McGill University)

Review

Review of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020)	28.1.10
Alyssa Barna (University of Minnesota)

Conference Report

Conference report: “Dialogues: Analysis and Performance”	28.1.11
Ben Duinker (University of Toronto)

MTO Personnel for the Current Volume

Updated March 12 2022

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