Volume 28 Number 4, December 2022

Copyright © 2022 Society for Music Theory


Editor’s Message

Articles

Analyzing Vocal Placement in Recorded Virtual Space
28.4.1
        Michèle Duguay (Indiana University)
Analyzing the Beat in Metrically Consonant Popular Songs: A Multifaceted Approach
28.4.2
        David Geary (Wake Forest University)
Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music
28.4.3
        Elizabeth Hellmuth Margulis (Princeton University)
        Natalie Miller (Princeton University)
        Nathaniel Mitchell (University of North Carolina Greensboro)
        Mauro Orsini Windholz (Princeton University)
        Jamal Williams (Princeton University)
        J. Devin McAuley (Michigan State University)
Reconstructing the Paris Conservatory’s Cours d’Harmonie 1812–1844: Discipline, Sources, Theory, and Method
28.4.4
        Michael Masci (SUNY Geneseo)
Musical Eschatology in Contemporary Christian Worship Songs
28.4.5
        Samuel Ng (University of Cincinnati)
Alanis Morissette’s Voices
28.4.6
        Drew Nobile (University of Oregon)
Willaert’s Elusive Counterpoint Explained
28.4.7
        Peter Schubert (McGill University)
The Melodic Organization of The Rite of Spring
28.4.8
        Joseph N. Straus (Graduate Center, CUNY)

Reviews

Review of Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life (Oxford University Press, 2022)
28.4.9
        Noah Kahrs (Eastman School of Music)
Review of Matthew Santa, Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Music (Routledge, 2020)
28.4.10
        David Temperley (Eastman School of Music)



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MTO Personnel for the Current Volume

Updated December 05 2022