Music Theory Online Volume 30, Number 4

Volume 30 Number 4, December 2024

Editor’s Message

Articles

Vocal Production, Mimesis, and Social Media in Bedroom Pop	30.4.1
Alyssa Barna (University of Minnesota) Caroline McLaughlin (Minneapolis, MN)

“Feel the Emptiness”: Micro-Schemata in the Music of Henryk Mikołaj Górecki	30.4.2
Evan Martschenko (Eastman School of Music)

Performing Meter: Toward a Motive-Oriented Performance Practice for Post-Tonal Music	30.4.3
James Sullivan (Michigan State University)

Who is Allowed to Be a Music Theorist? Sarah Mary Fitton and Conversations on Harmony (1855)	30.4.4
Stephanie Venturino (Yale School of Music)

A Survey of the Impact of COVID-19 on Music Theorists	30.4.5
Janet Bourne (University of California, Santa Barbara) Rachel Lumsden (Florida State University) Inessa Bazayev (Louisiana State University)

Review

Review of Here for the Hearing: Analyzing the Music in Musical Theater, ed. Michael Buchler and Gregory J. Decker	30.4.6
John Y. Lawrence (University of Chicago)

Special Issue: Music Theory in the Plural

Edited by Edwin K. C. Li, Chris Stover, and Anna Yu Wang

Introduction: Music Theory in the Plural	30.4.7
Edwin K. C. Li (The Chinese University of Hong Kong) Chris Stover (Queensland Conservatorium, Griffith University) Anna Yu Wang (Princeton University)

On the Ubọ-Aka of the Igbo: An Interview with Gerald Eze	30.4.8
Quintina Carter-Ényì (University of Georgia)

Commentary	30.4.9
Sheryl Man-Ying Chow (The University of Hong Kong)

Translation of Dobri Hristov’s “Metric and Rhythmic Fundamentals of Bulgarian Folk Music”	30.4.10
Daniel Goldberg (University of Connecticut)

Commentary: Music Theory, Nationalism, and the “Invention” of Bulgarian Rhythm	30.4.11
Clifton Boyd (New York University)

Koizumi Fumio on Nuclear Tones	30.4.12
Liam Hynes-Tawa (Harvard University)

Commentary	30.4.13
Sami Abu Shumays (Queens, New York)

Translation of Shin Eun-Joo’s “Two Theories of Ujo and Pyeongjo in Pansori: Comparing Baek Daewoong’s and Lee Bohyeong’s Theories of Pansori Modes” (2018)	30.4.14
Seokyoung Kim (The University of Texas at Austin)

Commentary	30.4.15
Ji Yeon Lee (University of Houston)

Music as Language of the Upper Realm: A Translation of Li Tsing-chu’s A General Treatise on Music (1930/1933)	30.4.16
Edwin K. C. Li (The Chinese University of Hong Kong)

Commentary	30.4.17
Nathan John Martin (University of Michigan)

“At One End of the Endless Universe”: Akira Nishimura’s Interview with Isang Yun	30.4.18
Joon Park (University of Illinois Chicago)

Commentary	30.4.19
Chris Stover (Queensland Conservatorium, Griffith University)

Embedded Music Theory: Oral Poetry, Rhythmic Language, and Drumming in Sri Lanka	30.4.20
Eshantha Peiris (University of British Columbia)

Commentary	30.4.21
Amanda Villepastour (Cardiff University)

Report: My Footsteps and Related Thoughts on the Systematic Construction of Linguistics of Music in the 21st Century	30.4.22
Qian Rong (Central Conservatory of Music)

Commentary	30.4.23
Aaron Carter-Ényì (Morehouse College)

Translation of Martha Ulhôa de Tupinamba’s “Métrica derramada: Musical Prosody in Brazilian Popular Song”	30.4.24
Chris Stover (Queensland Conservatorium, Griffith University)

Commentary	30.4.25
Anne Danielsen (University of Oslo)

Gusti Putu Madé Geria’s Theory for Balinese Gamelan	30.4.26
Michael Tenzer (University of British Columbia)

Commentary: Reversed Images	30.4.27
Dan Wang (University of Pittsburgh)

Julián Carrillo, Laws of Musical Metamorphosis, and the Landscape of Early Atonal Thought	30.4.28
Lee Cannon-Brown (Harvard University)

Commentary	30.4.29
Amy Bauer (University of California, Irvine)

The Origins of Syncopation in Brazilian Music: An Unpublished Manuscript by Mário de Andrade	30.4.30
Enrique Valarelli Menezes (Universidade de São Paulo) Carlos Eduardo de Barros Moreira Pires (Universidade Federal do Rio de Janeiro)

Commentary	30.4.31
Nicole Biamonte (McGill University)

MTO Personnel for the Current Volume

Updated December 07 2024

Music Theory Online, an open-access publication, is fully funded by the Society for Music Theory.

If you are enjoying and benefitting from the scholarship that we offer and have the means, please consider making a donation to the Society for Music Theory!