| Author |
Type |
Title |
Volume |
Formats |
Aarden, Bret and Paul T. von Hippel | Article | Rules for Chord Doubling (and Spacing): Which Ones Do We Need? | 10.2, 2004 | HTML/Frames
HTML | Aaslid, Vilde | Article | Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language | 28.3, 2022 | HTML
PDF | Adamowicz, Emily J. | Essay | Subjectivity and Structure in Milton Babbitt’s Philomel | 17.2, 2011 | HTML
PDF | Adams, Kyle | Article | Aspects of the Music/Text Relationship in Rap | 14.2, 2008 | HTML
PDF | Adams, Kyle | Commentary | “People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams | 15.2, 2009 | HTML
PDF | Adams, Kyle | Article | On the Metrical Techniques of Flow in Rap Music | 15.5, 2009 | HTML
PDF | Adams, Kyle | Article | Playing with Beats and Playing with Cats: Meow the Jewels, Remixes, and Reinterpretations | 22.3, 2016 | HTML
PDF | Adams, Kyle | Article | Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop | 26.2, 2020 | HTML
PDF | Agawu, Kofi | Article | Analyzing Music Under the New Musicological Regime | 2.4, 1996 | HTML
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ASCII | Agawu, Kofi | Article | Response to 1999 SMT International Plenary Session | 6.1, 2000 | HTML
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ASCII | Agawu, Kofi | Commentary | Commentary | 16.4, 2010 | HTML
PDF | Agmon, Eytan | Commentary | Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1) | 2.3, 1996 | HTML
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ASCII | Agmon, Eytan | Article | Beethoven’s Op. 81a and the Psychology of Loss | 2.4, 1996 | HTML
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ASCII | Agmon, Eytan | Article | The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord | 3.1, 1997 | HTML
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ASCII | Agmon, Eytan | Article | “Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail | 29.2, 2023 | HTML
PDF | Agrawal, Susan Mina | Review | Review of John Irving, Mozart: The “Haydn” Quartets | 6.3, 2000 | HTML
PDF | Albrecht, Joshua | Review | Review of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013) | 20.4, 2014 | HTML
PDF | Albrecht, Joshua D. | Article | Expressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven’s Pathétique Sonata | 24.3, 2018 | HTML
PDF | Alcalde, Bruno | Article | Mixture Strategies: An Analytical Framework for Musical Hybridity | 28.1, 2022 | HTML
PDF | Alpern, Wayne | Review | Review Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994) | 4.2, 1998 | HTML/Frames
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ASCII | Alphonce, Bo H. | Article | Dissonance and Schumann’s Reckless Counterpoint | 0.7, 1994 | HTML
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ASCII | Amiot, Emmanuel | Article | Discrete Fourier Transform and Bach’s Good Temperament | 15.2, 2009 | HTML
PDF | Amiot, Emmanuel and Gilles Baroin | Article | Old and New Isometries between Pc sets in the Planet-4D Model | 21.3, 2015 | HTML
PDF | Andersen, Drake | Article | “What can they have to do with one another?”: Approaches to Analysis and Performance in John Cage’s Four2 | 23.4, 2017 | HTML
PDF | Andersen, Drake | Article | (Per)forming Open Form: A Case Study with Earle Brown’s Novara | 26.3, 2020 | HTML
PDF | Anku, Willie | Article | Circles and Time: A Theory of Structural Organization of Rhythm in African Music | 6.1, 2000 | HTML/Frames
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ASCII | Argentino, Joe | Review | Review of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014) | 21.4, 2015 | HTML
PDF | Argentino, Joe R. | Article | Tripartite Structures in Schoenberg’s A Survivor from Warsaw | 19.1, 2013 | HTML
PDF | Arkle, Genevieve Robyn | Article | The Turn in the Finale of Mahler’s Ninth Symphony as Allusion to Wagner’s Parsifal | 30.1, 2024 | HTML
PDF | Arlin, Mary I. | Review | Review of L. Poundie Burstein and Joseph N. Straus, Concise Introduction to Tonal Harmony (W. W. Norton, 2016) | 22.3, 2016 | HTML
PDF | Atkinson, Sean | Article | Canons, Augmentations, and Their Meaning in Two Works by Steve Reich | 17.1, 2011 | HTML
PDF | Atkinson, Sean | Article | Soaring Through the Sky: Topics and Tropes in Video Game Music | 25.2, 2019 | HTML
PDF | Attas, Robin | Article | Metaphors in Motion: Agents and Representation in Transformational Analysis | 15.1, 2009 | HTML
PDF | Attas, Robin | Article | Sarah Setting the Terms: Defining Phrase in Popular Music | 17.3, 2011 | HTML
PDF | Attas, Robin | Review | Review of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015) | 22.1, 2016 | HTML
PDF | Attas, Robin | Essay | Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’s To Pimp A Butterfly | 25.1, 2019 | HTML
PDF | Attas, Robin | Review | Review of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020) | 26.4, 2020 | HTML
PDF | Attas, Robin | Essay | The Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel” | 28.2, 2022 | HTML
PDF | Attinello, Paul | Essay | Time, Work, and Chronic Illness | 15.3, 2009 | HTML
PDF | Auerbach, Brent | Article | Pedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction | 16.1, 2010 | HTML
PDF | Aversa, Eleanor | Review | Review of David Huron, Sweet Anticipation (MIT Press Books, 2006): Implications for Composers | 15.3, 2009 | HTML
PDF | Aziz, Andrew | Review | Review of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013) | 20.1, 2014 | HTML
PDF | Aziz, Andrew | Article | Billy Joel’s Enharmonic Duplicity | 28.2, 2022 | HTML
PDF | Aziz, Andrew I. | Article | The Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group | 21.4, 2015 | HTML
PDF | BaileyShea, Matt | Review | Review of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009) | 19.3, 2013 | HTML
PDF | BaileyShea, Matt L. | Article | Filleted Mignon: A New Recipe for Analysis and Recomposition | 13.4, 2007 | HTML
PDF | BaileyShea, Matthew L. | Article | Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler | 18.3, 2012 | HTML
PDF | BaileyShea, Matthew L. | Article | From Me To You: Dynamic Discourse in Popular Music | 20.4, 2014 | HTML
PDF | Bain, Jennifer | Article | Introduction: The Music of Chen Yi | 26.3, 2020 | HTML
PDF | Baker, Ben | Review | Review of Keith Waters, Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (Oxford University Press, 2019) | 26.3, 2020 | HTML
PDF | Baker, Michael | Review | Review of Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Publications, 2017) | 24.1, 2018 | HTML
PDF | Bakulina, Ellen | Essay | The Concept of Mutability in Russian Theory | 20.3, 2014 | HTML
PDF | Bakulina, Ellen | Article | Canons as Hypermetrical Transitions in Mozart | 23.4, 2017 | HTML
PDF | Baragwanath, Nicholas | Article | Analytical Approaches to Melody in Selected Arias by Puccini | 14.2, 2008 | HTML
PDF | Barna, Alyssa | Review | Review of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020) | 28.1, 2022 | HTML
PDF | Barnes, Larry | Review | Review of J. Kent Williams, Theories and Analyses of Twentieth-Century Music (Harcourt Brace and Company, 1997) | 3.4, 1997 | HTML
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ASCII | Barnett, Gregory | Review | Review of Megan Kaes Long, Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century (Oxford University Press, 2020) | 27.4, 2021 | HTML
PDF | Barolsky, Daniel and Peter Martens | Article | Rendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I) | 18.1, 2012 | HTML
PDF | Barolsky, Daniel | Report | Conference Report: “Performance Studies Network Second International Conference” | 19.2, 2013 | HTML
PDF | Barolsky, Daniel and Edward Klorman | Essay | Performance and Analysis Today: New Horizons | 22.2, 2016 | HTML
PDF | Barolsky, Daniel G | Commentary | The Performer as Analyst | 13.1, 2007 | HTML
PDF | Bass, Richard | Review | Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music (Cambridge University Press, 2002) | 10.1, 2004 | HTML
PDF | Bassler, Samantha | Essay | “But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia | 15.3, 2009 | HTML
PDF | Bazayev, Inessa and Ellon D. Carpenter | Essay | Introduction: Russian Theoretical Thought Rediscovered and Reevaluated | 20.3, 2014 | HTML
PDF | Bazayev, Inessa | Essay | The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory | 20.3, 2014 | HTML
PDF | Bazayev, Inessa | Article | Scriabin’s Atonal Problem | 24.1, 2018 | HTML
PDF | Bazayev, Inessa | Article | An Octatonic History of Prokofiev’s Compositional Oeuvre | 24.2, 2018 | HTML
PDF | Bazayev, Inessa | Article | Introduction: Prokofiev at 125 | 24.2, 2018 | HTML
PDF | Beaudoin, Richard | Article | Gould’s Creaking Chair, Schoenberg’s Metric Clarity | 27.1, 2021 | HTML
PDF | Beaudoin, Richard | Article | The Pen as Camera: Finnissy and Overexposure | 27.3, 2021 | HTML
PDF | Beavers, Jennifer P. | Article | Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major | 25.4, 2019 | HTML
PDF | Beavers, Jennifer P. | Article | Ravel’s Sound: Timbre and Orchestration in His Late Works | 27.1, 2021 | HTML
PDF | Belcher, Owen, Catrina Kim and Alan Reese | Article | Public Music Theory’s Neoliberal Learning Outcomes | 29.2, 2023 | HTML
PDF | Benadon, Fernando | Commentary | Commentary on Matthew W. Butterfield’s “The Power of Anacrusis” | 13.1, 2007 | HTML
PDF | Benadon, Fernando | Article | A Circular Plot for Rhythm Visualization and Analysis | 13.3, 2007 | HTML
PDF | Benitez, Vincent P. | Article | Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise | 8.2, 2002 | HTML/Frames
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PDF | Bent, Margaret | Commentary | Diatonic ficta Revisited: Josquin’s Ave Maria in Context (MTO 2.5) | 2.6, 1996 | HTML
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ASCII | Berman, Nancy M. | Review | Review of Glenn Watkins, Pyramids at the Louvre (Harvard University Press, 1994) | 2.4, 1996 | HTML
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ASCII | Bernstein, Zachary | Essay | Duplicated Subdivisions in Babbitt’s It Takes Twelve to Tango | 17.2, 2011 | HTML
PDF | Bernstein, Zachary | Review | Review of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization (University of Rochester Press, 2012) | 19.4, 2013 | HTML
PDF | Berry, David Carson | Review | Review of Philip Furia, Irving Berlin: A Life In Song (Schirmer Books, 1998) | 6.5, 2000 | HTML/Frames
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ASCII | Berry, Michael | Article | The Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings | 15.5, 2009 | HTML
PDF | Bertolani, Valentina | Article | Improvisatory Exercises as Analytical Tool: The Group Dynamics of the Gruppo di Improvvisazione Nuova Consonanza | 25.1, 2019 | HTML
PDF | Besada, José L. | Article | Xenakis’ Sieve Theory: A Remnant of Serial Music? | 28.2, 2022 | HTML
PDF | Bhogal, Gurminder K. | Article | Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’s Boléro | 26.2, 2020 | HTML
PDF | Biamonte, Nicole | Article | Augmented-Sixth Chords vs. Tritone Substitutes | 14.2, 2008 | HTML
PDF | Biamonte, Nicole | Article | Introduction | 17.3, 2011 | HTML
PDF | Biamonte, Nicole | Article | Formal Functions of Metric Dissonance in Rock Music | 20.2, 2014 | HTML
PDF | Biamonte, Nicole | Report | Conference Report: “A Summit of Creativity: A Celebration of the Fiftieth Anniversary of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band” | 23.2, 2017 | HTML
PDF | Binder, Benjamin | Essay | Art and Science, Beauty and Truth, Performance and Analysis? | 22.2, 2016 | HTML
PDF | Blättler, Damian J. | Article | A Voicing-Based Model for Additive Harmony | 23.3, 2017 | HTML
PDF | Black, Brian C. | Article | Schubert’s Development of Harmonic Motives in his Early String Quartets | 24.3, 2018 | HTML
PDF | Blake, David K. | Article | Timbre as Differentiation in Indie Music | 18.2, 2012 | HTML
PDF | Bleij, Barbara | Article | Three Multifaceted Compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | 25.4, 2019 | HTML
PDF | Blum, Stephen | Review | Review of Kofi Agawu, The African Imagination in Music (Oxford University Press, 2016) | 23.1, 2017 | HTML
PDF | Boone, Christine | Article | Mashing: Toward a Typology of Recycled Music | 19.3, 2013 | HTML
PDF | Boone, Christine | Article | Gendered Power Relationships in Mashups | 24.1, 2018 | HTML
PDF | Bor, Mustafa | Article | Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6 | 15.1, 2009 | HTML
PDF | Boss, Jack | Review | Review of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007) | 15.1, 2009 | HTML
PDF | Boss, Jack | Article | George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles | 28.3, 2022 | HTML
PDF | Boss, Jack F. | Article | “Schenkerian-Schoenbergian Analysis” and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1 | 5.1, 1999 | HTML/Frames
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ASCII | Boss, Jack F. | Article | “Away with Motivic Working?” Not So Fast: Motivic Processes in Schoenberg’s op. 11, no. 3 | 21.3, 2015 | HTML
PDF | Bottge, Karen M. | Essay | Reading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power | 17.4, 2011 | HTML
PDF | Bourne, Janet | Article | Perceiving Irony in Music: The Problem in Beethoven’s String Quartets | 22.3, 2016 | HTML
PDF | Boyd, Clifton and Jade Conlee | Review | Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) | 29.4, 2023 | HTML
PDF | Boyle, Antares, Rebecca Leydon, Paul Sherrill and Jeffrey Swinkin | Review | Review of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019) | 27.1, 2021 | HTML
PDF | Boyle, Antares | Article | Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel | 27.2, 2021 | HTML
PDF | Boyle, Antares | Article | Gestural Temporality in Sciarrino’s Recitativo oscuro | 29.4, 2023 | HTML
PDF | Boyle, Matthew L. | Article | Johann Georg Sulzer’s “Recitativ” and North German Musical Aesthetics: Context, Translation, Commentary | 23.2, 2017 | HTML
PDF | Boyle, Matthew L. C. and Paul Sherrill | Article | A Thread of Recitative Ruffs: Schemas and Schenker’s Analysis of “Erbarm es, Gott” | 30.2, 2024 | HTML
PDF | Bradford, Wesley J. | Review | Review of Yayoi Uno Everett, Reconfiguring Myth and Narrative in Contemporary Opera | 23.4, 2017 | HTML
PDF | Brasky, Jill T. | Article | Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove | 16.1, 2010 | HTML
PDF | Braunschweig, Karl | Article | Embedded Dissonance in Eighteenth- and Nineteenth-Century Harmonic Theory and Practice | 29.4, 2023 | HTML
PDF | Brinkman, Alexander and Elizabeth West Marvin | Article | Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula | 3.5, 1997 | HTML/Frames
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ASCII | Brody, Christopher | Review | Review of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012) | 19.3, 2013 | HTML
PDF | Broesche, Garreth P. | Article | Glenn Gould, Spliced: Investigating the Filmmaking Analogy | 22.4, 2016 | HTML
PDF | Broman, Per F. | International Report | Report from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 1996 | 2.6, 1996 | HTML
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ASCII | Broman, Per F. | International Report | Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997 | 3.4, 1997 | HTML
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ASCII | Broman, Per F. | International Report | Report from the “Skagerack Network” Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20–23, 1997 | 4.1, 1998 | HTML/Frames
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PDF | Brown, Matthew | Article | “Adrift on Neurath’s Boat”: The Case for a Naturalized Music Theory | 2.2, 1996 | HTML
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ASCII | Brown, Stephen C. | Article | Axis Tonality and Submediant in the Music of Shostakovich | 15.2, 2009 | HTML
PDF | Brown, Stephen C. | Review | Review of Paolo Susanni and Elliott Antokoletz, Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles (Routledge, 2012) | 20.1, 2014 | HTML
PDF | Browne, Richmond | Article | The Deep Background of our Society | 9.1, 2003 | HTML
PDF | Brøvig-Hanssen, Ragnhild , Bjørnar E. Sandvik and Jon Marius Aareskjold-Drecker | Article | Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music | 26.2, 2020 | HTML
PDF | Buchler, Michael | Article | Reconsidering Klumpenhouwer Networks | 13.2, 2007 | HTML
PDF | Buchler, Michael | Commentary | Reconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses | 14.1, 2008 | HTML
PDF | Bugallo, Helena | Article | Harmonic and Non-Harmonic Temporal Structures in Nancarrow’s Study No. 47 for Player Piano | 20.1, 2014 | HTML
PDF | Buhler, James | Review | Review of Roger Scruton, The Aesthetics of Music (Clarendon Press, 1997) | 5.3, 1999 | HTML
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ASCII | Bungert, James | Article | A Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57 | 23.3, 2017 | HTML
PDF | Bungert, James | Essay | “I got a bone to pick”: Formal Ambivalence and Double Consciousness in Kendrick Lamar’s “King Kunta” | 25.1, 2019 | HTML
PDF | Burke (submitted by L. Poundie Burstein), Richard | Article | “That Awkward Scale”: Verdi, Puccini, and the Scala enigmatica | 21.2, 2015 | HTML
PDF | Burnham, Scott | Article | Theorists and “The Music Itself” | 2.2, 1996 | HTML
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ASCII | Burns, Chelsea | Review | Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Burns, Chelsea | Article | “Together Again,” but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel Guitar, 1964 | 25.2, 2019 | HTML
PDF | Burns, James | Article | Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora | 16.4, 2010 | HTML
PDF | Burns, Lori and Alyssa Woods | Article | Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem | 10.2, 2004 | HTML/Frames
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PDF | Burns, Lori | Article | Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong | 11.3, 2005 | HTML/Frames
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PDF | Burns, Lori, Marc Lafrance and Laura Hawley | Article | Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk | 14.4, 2008 | HTML
PDF | Burns, Lori | Article | Female Subjectivities in the Words, Music, and Images of Progressive Metal: The Case of Tatiana Shmayluk (Jinjer) | 29.4, 2023 | HTML
PDF | Burstein, L. Poundie | Review | Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016) | 22.2, 2016 | HTML
PDF | Butler, Mark J. | Article | Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music | 7.6, 2001 | HTML/Frames
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PDF | Butterfield, Matthew W. | Article | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | 12.4, 2006 | HTML
PDF | Butterfield, Matthew W. | Commentary | Response to Fernando Benadon | 13.3, 2007 | HTML
PDF | Butterfield, Matthew W. | Article | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | 16.4, 2010 | HTML
PDF | Byron, Avior | Article | The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered | 12.1, 2006 | HTML/Frames
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PDF | Byron, Avior and Matthias Pasdzierny | Commentary | Sprechstimme Reconsidered Once Again: ‘... though Mrs. Stiedry is never in pitch’ | 13.2, 2007 | HTML
PDF | Byros, Vasili | Review | Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012) | 18.3, 2012 | HTML
PDF | Byros, Vasili | Article | Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach | 21.3, 2015 | HTML
PDF | Cairns, Zachary | Article | Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music | 28.1, 2022 | HTML
PDF | Cairns, Zachary A. | Essay | A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz | 20.3, 2014 | HTML
PDF | Callahan, Michael | Article | Teaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts | 21.3, 2015 | HTML
PDF | Callahan, Michael R. | Article | Sentential Lyric-Types in the Great American Songbook | 19.3, 2013 | HTML
PDF | Callender, Clifton | Article | Performing the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\) | 20.1, 2014 | HTML
PDF | Callender, Clinton | Article | Continuous Transformations | 10.3, 2004 | PDF | Canonne, Clément | Article | Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work | 24.4, 2018 | HTML
PDF | Cantrick, Robert | Commentary | Commentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001) | 8.2, 2002 | HTML
PDF | Caplin, William E. | Article | Beethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt | 16.2, 2010 | HTML
PDF | Capuzzo, Guy | Review | Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Frog Peak Music, 2001) | 8.3, 2002 | HTML
PDF | Capuzzo, Guy | Article | Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory | 12.1, 2006 | PDF | Capuzzo, Guy | Article | Maximally Alpha-Like Operations | 14.3, 2008 | HTML
PDF | Carlson, Mark | Review | Review of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) | 17.1, 2011 | HTML
PDF | Carr, Maureen A. | Commentary | “Who’s on First?”: Response to David H. Smyth’s review of Stravinsky’s Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005) | 12.3, 2006 | HTML
PDF | Carter, David S. | Article | Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971 | 27.4, 2021 | HTML
PDF | Carter-Ényì, Aaron | Article | Contour Recursion and Auto-Segmentation | 22.1, 2016 | HTML
PDF | Carter-Ényì, Aaron and Gilad Rabinovitch | Article | Onset and Contiguity: Melodic Feature Reduction and Pattern Discovery | 27.4, 2021 | HTML
PDF | Casacuberta, David | Review | Review of David Temperley, Music and Probability (MIT Press, 2007) | 16.2, 2010 | HTML
PDF | Castine, Peter | International Report | Review of John Cage Symposium (Berlin, Germany) | 2.3, 1996 | HTML
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ASCII | Castine, Peter | International Report | Review of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 1996 | 2.5, 1996 | HTML
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ASCII | Chandler, Oliver | Article | “Octatonic” Voice Leading and Diatonic Function in the Allegro molto from Elgar’s String Quartet in E minor, op. 83 | 26.1, 2020 | HTML
PDF | Chenette, Timothy | Article | What Are the Truly Aural Skills? | 27.2, 2021 | HTML
PDF | Chenette, Timothy K. | Article | Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum | 18.4, 2012 | HTML
PDF | Chenette, Timothy K. | Review | Review of Ronald Woodley (director), Johannes Tinctoris: Complete Theoretical Works (http://earlymusictheory.org/Tinctoris/) | 21.3, 2015 | HTML
PDF | Cheong, Wai-Ling | International Report | Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music | 3.4, 1997 | HTML
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ASCII | Cherlin, Michael | Review | Review of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011) | 17.4, 2011 | HTML
PDF | Childs, Adrian P. | Article | Structural and Transformational Properties of All-Interval Tetrachords | 12.4, 2006 | HTML
PDF | Chiu, Matt | Article | Macroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem | 27.3, 2021 | HTML
PDF | Christensen, Thomas | Review | Review of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009) | 17.4, 2011 | HTML
PDF | Christian, Bryan | Article | Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara | 20.2, 2014 | HTML
PDF | Chua, Daniel K. L. | Review | Review of Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford, 2014) | 21.2, 2015 | HTML | Chung, Andrew J. | Article | What is Musical Meaning? Theorizing Music as Performative Utterance | 25.1, 2019 | HTML
PDF | Clampitt, David | International Report | Report: An International Symposium of Music and Mathematics (Bucharest, Romania) | 1.1, 1995 | HTML
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ASCII | Clampitt, David and Thomas Noll | Article | Modes, the Height-Width Duality, and Handschin’s Tone Character | 17.1, 2011 | HTML
PDF | Clark, Suzannah | Review | Review of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011) | 19.3, 2013 | HTML
PDF | Clarke, David | Article | North Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard | 23.3, 2017 | HTML
PDF | Clayton, Martin | Article | Theory and Practice of Long-form Non-isochronous Meters: The Case of the North Indian rūpak tāl | 26.1, 2020 | HTML
PDF | Clement, Brett | Review | Review of Brad Osborn, Everything in its Right Place: Analyzing Radiohead (Oxford University Press, 2016) | 23.2, 2017 | HTML
PDF | Clement, Brett G. | Article | Scale Systems and Large-Scale Form in the Music of Yes | 21.1, 2015 | HTML
PDF | Clendinning, Jane | Review | Review of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–267 | 2.5, 1996 | HTML
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ASCII | Cochrane, Richard J. | Commentary | The Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11) | 1.1, 1995 | HTML
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ASCII | Cochrane, Richard J. | Article | The Phases of Fire | 1.1, 1995 | HTML
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ASCII | Code, David Loberg | Article | Listening for Schubert’s “Doppelgängers” | 1.4, 1995 | HTML
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ASCII | Cohen, Gilad | Article | Expansive Form in Pink Floyd’s “Dogs” | 21.2, 2015 | HTML
PDF | Cohn, Richard | Article | Music Theory’s New Pedagogability | 4.2, 1998 | HTML/Frames
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ASCII | Cohn, Richard | Article | A Tetrahedral Graph of Tetrachordal Voice-Leading Space | 9.4, 2003 | PDF
PDF/Frames | Cohn, Richard | Article | A Platonic Model of Funky Rhythms | 22.2, 2016 | HTML
PDF | Cole, Christa | Article | Hands, Fingers, Strings, and Bows: Performance Technique and Analysis in J.S. Bach’s Largo for Solo Violin | 30.3, 2024 | HTML
PDF | Collins, Denis B. | Article | Horizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue | 24.4, 2018 | HTML
PDF | Collins, Nick | Article | An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space | 10.3, 2004 | HTML
PDF | Comen, Craig | Review | Review of Daniel Chua, Beethoven & Freedom (Oxford University Press, 2017), and Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration (Oxford University Press, 2017) | 24.3, 2018 | HTML
PDF | Conklin, Andrew | Article | Writing Wrong Notes: Chromatic Clashes in the Music of Tune-Yards | 25.3, 2019 | HTML
PDF | Conlee, Jade | Report | Conference Report: “Ruptures and Convergences: Music Studies and the Anthropocene” | 29.2, 2023 | HTML
PDF | Cook, Karen M. | Article | 8-Bit Affordances: Jun Chikuma’s Soundtrack to Faxanadu | 29.3, 2023 | HTML
PDF | Cook, Nicholas | Article | Between Process and Product: Music and/as Performance | 7.2, 2001 | HTML/Frames
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PDF | Cook, Nicholas | Commentary | Reply to Robert Cantrick | 8.2, 2002 | HTML
PDF | Cook, Nicholas | Article | Prompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps | 11.1, 2005 | HTML/Frames
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PDF | Cook, Nicholas | Article | Introduction: Refocusing Theory | 18.1, 2012 | HTML
PDF | Cook, Robert C. | Article | Nature’s Voice in Crumb’s An Idyll for the Misbegotten | 23.1, 2017 | HTML
PDF | Cook, Scott Alexander | Article | Moving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions | 15.1, 2009 | HTML
PDF | Covach, John | Article | Destructuring Cartesian Dualism in Musical Analysis | 0.11, 1994 | HTML
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ASCII | Covach, John | Commentary | Musical Worlds and the Metaphysics of Analysis | 1.1, 1995 | HTML
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ASCII | Covach, John | Article | Schoenberg’s Turn to an “Other” World | 1.5, 1995 | HTML
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ASCII | Covach, John | Essay | To MOOC or Not To MOOC? | 19.3, 2013 | HTML
PDF | Covach, John | Review | Review of Robert Freeman, The Crisis of Classical Music in America: Lessons from the Life in the Education of Musicians (Rowman & Littlefield, 2014) | 21.2, 2015 | HTML | Cox, Arnie | Article | Embodying Music: Principles of the Mimetic Hypothesis | 17.2, 2011 | HTML
PDF | Cox, Arnie | Review | Review of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Indiana University Press, 2012) | 19.1, 2013 | HTML
PDF | Cramer, Alfred | Article | The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming | 9.2, 2003 | HTML/Frames
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PDF | Cubero, Diego | Article | Inwardness and Inner Melodies in Brahms’s Piano Works | 23.1, 2017 | HTML
PDF | Cubero, Diego | Article | Romantic Periods | 27.4, 2021 | HTML
PDF | Cuciurean, John | Review | Review of Mark Lindley’s and Ronald Turner-Smith’s Mathematical Models of Musical Scales: A New Approach (Verlag fuer systematische Musikwissenschaft, 1993) | 1.4, 1995 | HTML
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ASCII | Cumming, Julie E. | Essay | Renaissance Improvisation and Musicology | 19.2, 2013 | HTML
PDF | Cutler, Timothy | Essay | Cryptic Audiodiversity and the Dissonant Perfect Unison | 16.1, 2010 | HTML
PDF | Daly, Tim | Article | Contrapuntal Direction and the Diagnosis of Compositional Relationships in Fifteenth-Century Masses | 29.4, 2023 | HTML
PDF | Damschroder, David | Review | Review of Pieter Bergé ed., Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance (Peeters, 2009) | 16.2, 2010 | HTML
PDF | Damschroder, David A. | Review | Review of Carl Schachter, ed., Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford University Press, 1999) | 5.4, 1999 | HTML
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ASCII | Davis, Stacey | Article | Stream Segregation and Perceived Syncopation: Analyzing the Rhythmic Effects of Implied Polyphony in Bach’s Unaccompanied String Works | 17.1, 2011 | HTML
PDF | de Clercq, Trevor | Review | Review of Ralf von Appen, André Doehring, Dietrich Helms, and Allan Moore, eds. Song Interpretation in 21st-Century Pop Music (Ashgate, 2015) | 22.1, 2016 | HTML
PDF | de Clercq, Trevor | Article | Measuring a Measure: Absolute Time as a Factor for Determining Bar Lengths and Meter in Pop/Rock Music | 22.3, 2016 | HTML
PDF | de Clercq, Trevor | Article | Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991 | 23.3, 2017 | HTML
PDF | de Clercq, Trevor | Review | Review of Christopher Doll, Hearing Harmony: Toward a Tonal Theory for the Rock Era (University of Michigan Press, 2017) | 24.1, 2018 | HTML
PDF | de Clercq, Trevor | Article | The Logic of Six-Based Minor for Harmonic Analyses of Popular Music | 27.4, 2021 | HTML
PDF | de Clercq, Trevor | Article | Some Proposed Enhancements to the Operationalization of Prominence: Commentary on Michèle Duguay’s “Analyzing Vocal Placement in Recorded Virtual Space” | 30.1, 2024 | HTML
PDF | de Jong, Karst and Thomas Noll | Essay | Fundamental Bass and Real Bass in Dialogue: Tonal Aspects of the Structural Modes | 24.4, 2018 | HTML
PDF | De Souza, Jonathan | Article | Instrumental Transformations in Heinrich Biber’s Mystery Sonatas | 26.4, 2020 | HTML
PDF | De Souza, Jonathan | Review | Review of John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body (Indiana University Press, 2020) | 27.3, 2021 | HTML
PDF | Deaville, James | Essay | More Than the Blues: Clinical Depression, Invisible Disabilities and Academe | 15.3, 2009 | HTML
PDF | Decker, Gregory J. | Review | Review of Andrew Davis, “Il Trittico,” “Turandot,” and Puccini’s Late Style (Indiana University Press, 2010) | 18.1, 2012 | HTML
PDF | Decker, Gregory J. | Article | Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s Rodelinda | 19.4, 2013 | HTML
PDF | Dempster, Douglas | Review | Review of Peter Kivy, The Fine Art of Repetition (Cambridge University Press, 1993) | 2.3, 1996 | HTML
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ASCII | Demske, Thomas R. | Article | On Considering a Computational Model of Similarity Analysis | 1.2, 1995 | HTML
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ASCII | Demske, Thomas R. | Commentary | Response to Parncutt (MTO 1.3) | 1.3, 1995 | HTML
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ASCII | Demske, Thomas R. | Commentary | Reply to Richard Hermann (MTO 1.3) | 1.4, 1995 | HTML
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ASCII | Desmond, Karen, Emily Hopkins, Samuel Howes and Julie E. Cumming | Article | Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350 | 26.4, 2020 | HTML
PDF | Dibben, Nicola | Review | Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Oxford University Press, 2002) | 10.4, 2001 | HTML
PDF | Diergarten, Felix F. | Article | “At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn | 14.1, 2008 | HTML
PDF | Dineen, Murray | Article | Figured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl | 8.3, 2002 | HTML/Frames
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PDF | Dineen, Murray | Article | Species Counterpoint with a Moveable Tenor (SCAMET): Comparing Species Counterpoint and Polyphonic Music Without a Cantus Firmus | 19.3, 2013 | HTML
PDF | Dodson, Alan | Article | Performance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory | 8.1, 2002 | HTML/Frames
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PDF | Dodson, Alan | Article | Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’s Kreisleriana, Op. 16, No. 2 | 18.1, 2012 | HTML
PDF | Doll, Christopher | Article | Rockin’ Out: Expressive Modulation in Verse-Chorus Form | 17.3, 2011 | HTML
PDF | Donaldson, James | Article | Melody on the Threshold in Spectral Music | 27.2, 2021 | HTML
PDF | Donaldson, James | Article | Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès | 30.2, 2024 | HTML
PDF | Donin, Nicolas and Jonathan Goldman | Article | Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis | 14.4, 2008 | HTML
PDF | Douw, Andre M. and Michiel C. Schuijer | International Report | Music Theory at the Amsterdam School of Music | 3.1, 1997 | HTML
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ASCII | Drozzina, Aleksandra | Review | Review of Gavin Dixon, ed., Schnittke Studies (Routledge, 2017) | 24.4, 2018 | HTML
PDF | Dubiel, Joseph | Article | On Getting Deconstructed | 2.2, 1996 | HTML
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ASCII | Dubiel, Joseph | Article | Analysis, Description, and What Really Happens | 6.3, 2000 | HTML
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ASCII | Duffin, Ross W. | Article | Just Intonation in Renaissance Theory and Practice | 12.3, 2006 | HTML/Frames
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PDF | Duguay, Michèle | Review | Review of Malawey, Victoria, A Blaze of Light in Every Word: Analyzing the Popular Singing Voice (Oxford University Press, 2020) | 27.2, 2021 | HTML
PDF | Duguay, Michèle | Article | Analyzing Vocal Placement in Recorded Virtual Space | 28.4, 2022 | HTML
PDF | Duguay, Michèle | Article | Response to Trevor de Clercq’s “Some Proposed Enhancements to the Operationalization of Prominence: Commentary on Michèle Duguay’s ‘Analyzing Vocal Placement in Recorded Virtual Space’” | 30.1, 2024 | HTML
PDF | Duinker, Ben and Hubert Léveillé Gauvin | Article | Changing Content in Flagship Music Theory Journals, 1979–2014 | 23.4, 2017 | HTML
PDF | Duinker, Ben | Article | Plateau Loops and Hybrid Tonics in Recent Pop Music | 25.4, 2019 | HTML
PDF | Duinker, Ben | Article | Rebonds: Structural Affordances, Negotiation, and Creation | 27.4, 2021 | HTML
PDF | Duinker, Ben | Report | Conference report: “Dialogues: Analysis and Performance” | 28.1, 2022 | HTML
PDF | Duker, Philip, Anna Gawboy, Bryn Hughes and Kris P. Shaffer | Article | Hacking the Music Theory Classroom: Standards-Based Grading, Just-in-Time Teaching, and the Inverted Class | 21.1, 2015 | HTML
PDF | Easley, David B. | Review | Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Harvard University Press, 2003) | 14.1, 2008 | HTML
PDF | Easley, David B. | Article | Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83) | 21.1, 2015 | HTML
PDF | Eckert, Stefan | Article | “So, you want to write a Minuet?”—Historical Perspectives in Teaching Theory | 11.2, 2005 | HTML/Frames
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PDF | Emmery, Laura | Review | Review of Laurel Parsons and Brenda Ravenscroft, eds., Analytical Essays on Music by Women Composers: Concert Music, 1960–2000 (Oxford University Press, 2016) | 23.4, 2017 | HTML
PDF | Emmery, Laura | Article | Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2 | 27.3, 2021 | HTML
PDF | Endrinal, Christopher | Article | Burning Bridges: Defining the Interverse in the Music of U2 | 17.3, 2011 | HTML
PDF | Endrinal, Christopher | Review | Review of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012) | 19.4, 2013 | HTML
PDF | Eng, Clare Sher Ling | Review | Review of Peter Kaminsky ed., Unmasking Ravel: New Perspectives on the Music (University of Rochester Press, 2011) | 18.1, 2012 | HTML
PDF | Eriksson, Tore | International Report | Four Swedish Dissertations in Music Theory | 5.3, 1999 | HTML
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ASCII | Espinosa, Damian | Review | Review of Annette Richards, The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism (Cambridge University Press, 2001) | 10.3, 2004 | HTML
PDF | Everett, Walter T. | Review | Review of Richard Middleton ed., Reading Pop: Approaches to Textual Analysis in Popular Music (Oxford University Press, 2000) | 7.6, 2001 | HTML/Frames
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PDF | Everett, Walter T. | Article | Making Sense of Rock’s Tonal Systems | 10.4, 2004 | HTML/Frames
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PDF | Everett, Yayoi Uno | Article | Parody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen | 10.4, 2004 | HTML/Frames
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PDF | Ewell, Philip | Article | On the Russian Concept of Lād, 1830–1945 | 25.4, 2019 | HTML
PDF | Ewell, Philip A. | Article | Rethinking Octatonicism: Views from Stravinsky’s Homeland | 18.4, 2012 | HTML
PDF | Ewell, Philip A. | Article | “On the System of Stravinsky’s Harmony” by Yuri Kholopov: Translation and Commentary | 19.2, 2013 | HTML
PDF | Ewell, Philip A. | Report | Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM) | 19.4, 2013 | HTML
PDF | Ewell, Philip A. | Essay | The Parameter Complex in the Music of Sofia Gubaidulina | 20.3, 2014 | HTML
PDF | Ewell, Philip A. | Essay | Introduction to the Symposium on Kendrick Lamar’s To Pimp a Butterfly | 25.1, 2019 | HTML
PDF | Ewell, Philip A. | Article | Music Theory and the White Racial Frame | 26.2, 2020 | HTML
PDF | Fabian, Dorottya | Article | Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze | 23.4, 2017 | HTML
PDF | Fankhauser, Gabe and Jennifer Sterling Snodgrass | Review | Review of Ralph Turek, Theory for Today's Musician (McGraw-Hill, 2007) | 13.2, 2007 | HTML
PDF | Ferrandino, Matthew E. | Article | Voice Leading and Text-Music Relations in David Bowie’s Early Songs | 23.4, 2017 | HTML
PDF | Fieldman, Hali A. | Review | Review of Evan Jones, Matthew Shaftel, and Juan Chattah, Aural Skills in Context: A Comprehensive Approach to Sight Singing, Ear Training, Harmony, and Improvisation (Oxford, 2014) | 21.1, 2015 | HTML
PDF | Fillerup, Jessie | Article | Eternity in Each Moment: Temporal Strategies in Ravel’s “Le Gibet” | 19.1, 2013 | HTML
PDF | Fiore, Thomas M. and Ramon Satyendra | Article | Generalized Contextual Groups | 11.3, 2005 | PDF | Fitzpatrick, Michael | Commentary | Models and Music Theory: Reconsidering David Lewin’s Graph of the 3-2 Cohn Cycle | 17.1, 2011 | HTML
PDF | Foley, Gretchen | Commentary | The Efficacy of K-Nets in Perlean Theory | 13.3, 2007 | HTML
PDF | Forrest, David L. | Article | PL Voice Leading and the Uncanny in Pop Music | 23.4, 2017 | HTML
PDF | Forte, Allen | Commentary | Tristan Redux: Comments on John Rothgeb’s Article on the Tristan Chord in MTO 1.1 (MTO 1.1) | 1.2, 1995 | HTML
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ASCII | Forte, Allen | Article | Responses to Plenary Session Papers, NECMT 2000 | 6.3, 2000 | HTML/Frames
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ASCII | Forte, Allen | Article | The Founding of the Society for Music Theory | 9.1, 2003 | HTML
PDF | Fox, Donna Brink | Review | Review of Harold Abeles, Charles Hoffer, and Robert Klotman, Foundations of Music Education, 2nd ed. (Schirmer Books, 1995) | 2.7, 1996 | HTML
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ASCII | Francis, Kimberly A. | Review | Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects (University of Nebraska Press, 2002) | 13.1, 2007 | HTML
PDF | Frederick, Leah | Review | Review of Jason Yust, Organized Time: Rhythm, Tonality, and Form (Oxford University Press, 2018) | 26.4, 2020 | HTML
PDF | Friedmann, Michael | Review | Review of Nicolas Marston, Beethoven’s Piano Sonata in E, op. 109 (Clarendon Press, 1995) | 3.1, 1997 | HTML
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ASCII | Fuller, Sarah | Review | Review of Raymond Erickson trans., and Claude V. Palisca ed., Musica Enchiriadis and Scolica Enchiriadis (Yale University Press, 1995) | 3.1, 1997 | HTML
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ASCII | Fyr, Kyle | Review | Review of Timothy Johnson, John Adams’s “Nixon in China”: Musical Analysis, Historical and Political Perspectives (Ashgate, 2011) | 18.2, 2012 | HTML
PDF | Fyr, Kyle | Article | Mapping Ravel’s “La vallée des cloches” | 26.4, 2020 | HTML
PDF | Gadir, Tami | Essay | Understanding Agency from the Decks to the Dance Floor | 24.3, 2018 | HTML
PDF | Gann, Kyle | Article | Outside the Feedback Loop: A Nancarrow Keynote Address | 20.1, 2014 | HTML
PDF | Garcia, Luis-Manuel | Article | On and On: Repetition as Process and Pleasure in Electronic Dance Music | 11.4, 2005 | HTML/Frames
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PDF | Gardner, Samuel and Nicholas J. Shea | Article | Gestural Perspectives on Popular-Music Performance | 28.3, 2022 | HTML
PDF | Garza Jr., Jose M. | Article | Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music | 27.1, 2021 | HTML
PDF | Gates, Sarah | Article | Developing Musical Imagery: Contributions from Pedagogy and Cognitive Science | 27.2, 2021 | HTML
PDF | Gauldin, Robert | Article | Keynote Address, Twenty-seventh Annual SMT Conference in Seattle, WA, “Tragic Love and Musical Memory” | 10.4, 2004 | HTML/Frames
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PDF | Gawboy, Anna M. and Justin Townsend | Article | Scriabin and the Possible | 18.2, 2012 | HTML
PDF | Geary, David | Article | Analyzing the Beat in Metrically Consonant Popular Songs: A Multifaceted Approach | 28.4, 2022 | HTML
PDF | Geary, David | Article | Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021 | 30.2, 2024 | HTML
PDF | Gillespie, Jeff | Essay | Our Common Uniqueness | 15.3, 2009 | HTML
PDF | Gimbel, Allen | Essay | Scholarship and Quadriplegia | 15.3, 2009 | HTML
PDF | Givan, Benjamin | Article | Rethinking Interaction in Jazz Improvisation | 22.3, 2016 | HTML
PDF | Gjerdingen, Robert and Janet Bourne | Article | Schema Theory as a Construction Grammar | 21.2, 2015 | HTML | Gloag, Kenneth | Review | Review of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge University Press, 2001) | 10.2, 2004 | HTML
PDF | Godøy, Rolfe Inge | Essay | Motor Constraints Shaping Musical Experience | 24.3, 2018 | HTML
PDF | Goddard, Christopher | Article | “Your Soul is the Whole World”: The Spaces of Claude Vivier’s Siddhartha | 29.3, 2023 | HTML
PDF | Goehr, Lydia | Article | Does it Matter Where We Begin? Or, On the Art of Preparation and Preluding | 21.3, 2015 | HTML
PDF | Goldenberg, Yosef | Article | A Musical Gesture of Growing Obstinacy | 12.2, 2006 | HTML/Frames
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PDF | Goldenberg, Yosef | Article | The Interruption-Fill and Corollary Procedures | 18.4, 2012 | HTML
PDF | Goldenberg, Yosef | Article | Continuous Question-Answer Pairs | 26.3, 2020 | HTML
PDF | Goldman, Andrew | Article | Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation | 28.3, 2022 | HTML
PDF | Goldman, Andrew J. | Article | Improvisation as a Way of Knowing | 22.4, 2016 | HTML
PDF | Goldsmith, Melissa Ursula Dawn | Review | Review of Tim J. Anderson, Making Easy Listening: Material Culture and Postwar American Recording (University of Minnesota Press, 2006) | 12.3, 2006 | HTML
PDF | Gotham, Mark | Review | Review of Godfried Toussaint, The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? (CRC Press, 2013) | 19.2, 2013 | HTML
PDF | Gotham, Mark | Article | Meter Metrics: Characterizing Relationships Among (Mixed) Metrical Structures | 21.2, 2015 | HTML
PDF | Gotham, Mark R. H. and Iain A. D. Gunn | Article | Pitch Properties of the Pedal Harp, with an Interactive Guide | 22.4, 2016 | HTML
PDF | Grall, Jeremy | Review | Review of Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford University Press, 2009) | 17.2, 2011 | HTML
PDF | Gran, Jacob | Article | A General Method For Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint | 30.2, 2024 | HTML
PDF | Grant, Roger Mathew | Commentary | Hysteria at the Musical Surface | 14.1, 2008 | HTML
PDF | Grauer, Victor | Article | Toward a Unified Theory of the Arts | 2.6, 1996 | HTML
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ASCII | Grave, Floyd | Review | Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Oxford University Press, 1998) | 4.6, 1998 | HTML
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ASCII | Graybill, Roger | Review | Review of Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works (Cambridge University Press, 2016) | 23.2, 2017 | HTML
PDF | Graybill, Roger C. | Essay | Facilitative Agency in Performance | 24.3, 2018 | HTML
PDF | Green, Burdette | Review | Review of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford University Press, 2000) | 11.2, 2005 | HTML
PDF | Gruber, Gerold W. | International Report | Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 1996 | 2.7, 1996 | HTML
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ASCII | Guck, Marion | Article | Music Loving, Or the Relationship with the Musical Work | 2.2, 1996 | HTML
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ASCII | Guerrero, Jeannie Ma. | Article | Serial Intervention in Nono’s Il canto sospeso | 12.1, 2006 | HTML/Frames
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PDF | Guerrero, Jeannie Ma. | Article | Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate | 13.4, 2007 | HTML
PDF | Guez, Jonathan | Review | Review of Lorraine Byrne Bodley and Julian Horton, eds. Rethinking Schubert (Oxford University Press, 2016) | 23.3, 2017 | HTML
PDF | Guez, Jonathan | Article | Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert | 26.2, 2020 | HTML
PDF | Guido, Massimiliano and Peter Schubert | Article | Unpacking the Box in Frescobaldi’s Ricercari of 1615 | 20.2, 2014 | HTML
PDF | Guillotel-Nothmann, Christophe | Essay | Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The Changing Status of the Directional Tendency of Root Progressions in Madrigal Cycles from Verdelot to Monteverdi (c. 1530–1638) | 24.4, 2018 | HTML
PDF | Guillotel-Nothmann, Christophe | Essay | European Perspectives on Recent Tonal Theories, their Models, and Analytical Tools | 24.4, 2018 | HTML
PDF | Gur, Golan | Article | Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space | 14.1, 2008 | HTML
PDF | Hahn, Joshua W. | Article | Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music | 27.2, 2021 | HTML
PDF | Haimo, Ethan T. | Commentary | Linear Analysis—A Cure for Pitch-Class Set Analysis?: A Reply (MTO 3.2) | 3.3, 1997 | HTML
ASCII | Hakanson, Michelle E. | Review | Review of Carol J. Oja, Making Music Modern: New York in the 1920s (Oxford University Press, 2000) | 10.1, 2004 | HTML
PDF | Hall, Patricia | Article | Giving Voice to a Foxtrot from Auschwitz-Birkenau | 27.3, 2021 | HTML
PDF | Hanenberg, Scott J. | Article | Rock Modulation and Narrative | 22.2, 2016 | HTML
PDF | Hannaford, Marc | Review | Review of Leslie A. Tilley, Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond (The University of Chicago Press, 2019) | 26.4, 2020 | HTML
PDF | Hannaford, Marc E. | Article | Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers | 23.2, 2017 | HTML
PDF | Hannan, Calder | Article | Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” | 28.1, 2022 | HTML
PDF | Hanninen, Dora A. | Article | Asking Questions / Making Music: Listening, Analysis, and Cage | 20.2, 2014 | HTML
PDF | Harley, James | Commentary | Commentary on Stephen Smoliar (MTO 0.6) | 0.7, 1994 | HTML
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ASCII | Harrison, Daniel | Article | Tolling Time | 6.4, 2000 | HTML/Frames
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ASCII | Harrison, Daniel | Review | Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought (Cambridge University Press, 2003) | 11.2, 2005 | HTML/Frames
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PDF | Hasegawa, Robert | Article | Introduction: Sciarrino’s Novel Forms | 29.4, 2023 | HTML
PDF | Haskins, Rob | Review | Review of David Nicholls ed., The Cambridge Companion to John Cage (Cambridge University Press, 2002) | 10.2, 2004 | HTML
PDF | Hatten, Robert S. | Article | Introduction (to the Special Issue on Performance and Analysis) | 11.1, 2005 | HTML
PDF | Hatten, Robert S. | Review | Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002) | 11.1, 2005 | HTML/Frames
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PDF | Hatten, Robert S. | Composition | Wordless Carol | 18.3, 2012 | HTML | Hatten, Robert S. | Article | Musical Forces and Agential Energies: An Expansion of Steve Larson’s Model | 18.3, 2012 | HTML
PDF | Hatten, Robert S. | Article | Performing Expressive Closure in Structurally Open Contexts: Chopin’s Prelude in A minor and the Last Two Dances of Schumann’s Davidsbündlertänze | 20.4, 2014 | HTML
PDF | Hatten, Robert S. | Review | Review of Matthew Riley, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart (Oxford University Press, 2014). | 21.2, 2015 | HTML | Headlam, Dave | Article | Multimedia for Music Study on the Web: Director from Macromedia | 3.5, 1997 | HTML/Frames
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ASCII | Headlam, Dave | Review | Review of Patricia Hall, Berg’s “Wozzeck” (Oxford University Press, 2011) | 18.2, 2012 | HTML
PDF | Headlam, Dave | Review | Review of Bryan R. Simms, ed., Pro Mundo, Pro Domo: The Writings of Alban Berg (Oxford, 2014) | 20.4, 2014 | HTML
PDF | Heetderks, David | Review | Review of S. Alexander Reed, Assimilate: A Critical History of Industrial Music (Oxford University Press, 2013) | 20.2, 2014 | HTML
PDF | Heetderks, David | Article | What Happens after the Primal Burn? Dissonance in Sonic Youth’s Middle Period | 26.1, 2020 | HTML
PDF | Heetderks, David | Review | Review of David Temperley, The Musical Language of Rock (Oxford University Press: 2018) | 29.1, 2023 | HTML
PDF | Heetderks, David J. | Article | A Tonal Revolution in Fifths and Semitones: Aaron Copland’s Quiet City | 17.2, 2011 | HTML
PDF | Heetderks, David J. | Article | Hipster Harmony: The Hybrid Syntax of Seventh Chords in Post-Millennial Rock | 21.2, 2015 | HTML
PDF | Heidemann, Kate | Article | A System for Describing Vocal Timbre in Popular Song | 22.1, 2016 | HTML
PDF | Heinonen, Yrjo | Review | Review of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology (Oxford University Press, 1999) | 6.2, 2000 | HTML
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ASCII | Hepokoski, James | Article | Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata | 16.2, 2010 | HTML
PDF | Hermann, Richard | Commentary | Towards a New Analytic Method for Post-Tonal Music: Response to Demske (MTO 1.2) | 1.3, 1995 | HTML
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ASCII | Hermann, Richard | International Report | Reflexive Postmodern Anthropology Meets Musical “Modernism”: Georgina Born’s Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. | 3.5, 1997 | HTML/Frames
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ASCII | Hesselink, Nathan D. | Article | Radiohead’s “Pyramid Song”: Ambiguity, Rhythm, and Participation | 19.1, 2013 | HTML
PDF | Heyer, David J. | Article | Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach | 18.3, 2012 | HTML
PDF | Hier, David | Article | Becoming and Disintegration in Wolfgang Rihm’s Fifth String Quartet, Ohne Titel | 28.2, 2022 | HTML
PDF | Hier, David | Article | Chromatic Function in Schoenberg’s Little Piano Piece, op. 19, no. 1 | 29.3, 2023 | HTML
PDF | Hilewicz, Orit | Article | Reciprocal Interpretations of Music and Painting: Representation Types in Schuller, Tan, and Davies after Paul Klee | 24.3, 2018 | HTML
PDF | Hilewicz, Orit | Review | Review of Rethinking Reich, Edited by Sumanth Gopinath and Pwyll ap Siôn (Oxford University Press, 2019) | 27.1, 2021 | HTML
PDF | Hilewicz, Orit | Article | Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis of Begleitungsmusik zu einer Lichtspielscene (1929–1930) | 27.1, 2021 | HTML
PDF | Hippel, Paul T. von and Bret Aarden | Commentary | Rules for Chord Doubling (and Spacing): A Reply To Wibberley | 10.3, 2004 | HTML
PDF | Hisama, Ellie M. | Article | Life Outside the Canon? A Walk on the Wild Side | 6.3, 2000 | HTML/Frames
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ASCII | Ho, Jocelyn | Article | Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II | 27.4, 2021 | HTML
PDF | Hoag, Melissa E. | Article | Brahms’s “Great Tragic Opera”: Melodic Drama in “Ach, wende diesen Blick” (op. 57, no. 4) | 17.1, 2011 | HTML
PDF | Hoeckner, Berthold | Article | Poet’s Love and Composer’s Love | 7.5, 2000 | HTML/Frames
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PDF | Hoffman, Brian D. | Review | Review of John Franceschina, Music Theory through Musical Theatre (Oxford University Press, 2015) | 23.3, 2017 | HTML
PDF | Hofmann-Engl, Ludger | Review | Review of W.B. Hewlett and E. Selfridge-Field eds., Melodic Similarity: Concepts, Procedures, and Applications (MIT Press, 1999). | 5.4, 1999 | HTML
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ASCII | Holm-Hudson, Kevin | Article | Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of “Superstar” | 8.4, 2002 | HTML/Frames
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PDF | Honing, Henkjan | Commentary | Some Comments on the Relation Between Music and Motion | 9.1, 2003 | HTML/Frames
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PDF | Honisch, Stefan Sunandan | Essay | “Re-narrating” Disability through Musical Performance | 15.3, 2009 | HTML
PDF | Hood, Alison | Article | Ambiguity of Tonal Meaning in Chopin’s Prelude op. 28, no. 22 | 18.3, 2012 | HTML
PDF | Hook, Julian | Article | Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory | 13.4, 2007 | HTML
PDF | Hook, Julian | Review | Review of Dmitri Tymoczko, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford University Press, 2011) | 17.3, 2011 | HTML
PDF | Hook, Julian | Article | How to Perform Impossible Rhythms | 17.4, 2011 | HTML
PDF | Hope, Henry | Review | Review of Virtual Library of Musicology (ViFaMusik), (http://www.vifamusik.de) | 20.3, 2014 | HTML
PDF | Horlacher, Gretchen | Article | Stepping Out: Hearing Balanchine | 24.1, 2018 | HTML
PDF | Horlacher, Gretchen G. | Article | Bartók’s “Change of Time”: Coming Unfixed | 7.1, 2001 | HTML/Frames
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PDF | Horn, Katelyn and David Huron | Article | On the Changing Use of the Major and Minor Modes 1750–1900 | 21.1, 2015 | HTML
PDF | Hough, Matthew T. | Article | Elements of Style in Three Demo Recordings by Stevie Nicks | 21.1, 2015 | HTML
PDF | Howard, Alan | Article | Compositional Strategies in Purcell’s Second Three-Part Fantazia | 21.3, 2015 | HTML
PDF | Hudson, Stephen S. | Article | Compound AABA Form and Style Distinction in Heavy Metal | 27.1, 2021 | HTML
PDF | Huguet, Joan | Article | Post-Recapitulatory Organization in Beethoven’s Early Sonata-Rondo Finales | 30.3, 2024 | HTML
PDF | Huron, David | Article | What is a Musical Feature? Forte’s Analysis of Brahms’s Opus 51, No. 1, Revisited | 7.4, 2001 | HTML/Frames
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PDF | Hussey, William | Article | Triadic Post-Tonality and Linear Chromaticism in the Music of Dmitri Shostakovich | 9.1, 2003 | HTML
PDF | Hutchinson, Kyle | Article | Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals | 26.2, 2020 | HTML
PDF | Hutchinson, Kyle and Matthew Poon | Article | Cadential Melodies: Form-Functional Taxonomy and the Role of the Upper Voice | 28.2, 2022 | HTML
PDF | Inman, Samantha M. | Review | Review of Justin Merritt and David Castro, Comprehensive Aural Skills: A Flexible Approach to Rhythm, Melody, and Harmony (Routledge, 2016) and Diane J. Urista, The Moving Body in the Aural Skills Classroom: A Eurhythmics Based Approach (Oxford, 2016) | 23.3, 2017 | HTML
PDF | Isaacson, Eric J. | Article | Issues in the Study of Similarity in Atonal Music | 2.7, 1996 | HTML
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ASCII | Isaacson, Eric J. | Article | MTO at the Leading Edge | 20.1, 2014 | HTML
PDF | Iverson, Jennifer | Article | Creating Space: Perception and Structure in Charles Ives’s Collages | 17.2, 2011 | HTML
PDF | Jackson, Timothy L. | Essay | Escaping from a Black Hole: Facing Depression in Academia | 15.3, 2009 | HTML
PDF | Jakubowski, Joseph R. | Article | Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96) | 24.2, 2018 | HTML
PDF | James, Tess | International Report | Celibidache and Bruckner | 4.5, 1998 | HTML
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ASCII | James, Tess | Essay | Hans Rott (1858–1884)—The Missing Link Between Bruckner and Mahler | 5.1, 1999 | HTML
PDF | James, Tess | International Report | Review of Zbigniew Preisner, Requiem for My Friend | 5.4, 1999 | HTML
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ASCII | Jan, Steven | Article | Music, Memory and Memes in the Light of Calvinian Neuroscience | 17.2, 2011 | HTML
PDF | Jarvis, Brian Edward | Article | Prioritizing Narrative Structure in Large-Scale Film-Music Analysis: A Case Study of Dramatic Irony in Barton Fink | 29.1, 2023 | HTML
PDF | Jemian, Rebecca | Review | Review of Harald Krebs and Sharon Krebs, Josephine Lang: Her Life and Songs (Oxford University Press, 2007) | 16.4, 2010 | HTML
PDF | Jenkins, J. Daniel | Review | Review of David Schiff, The Music of Elliott Carter, 2nd ed. (Cornell University Press, 1998) | 6.1, 2000 | HTML
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ASCII | Jenkins, J. Daniel | Article | After the Harvest: Carter’s Fifth String Quartet and the Late Late Style | 16.3, 2010 | HTML
PDF | Jenkins, J. Daniel | Review | Review of Guy Capuzzo, Elliott Carter’s What Next?: Communication, Cooperation, and Separation (University of Rochester Press, 2012) | 19.2, 2013 | HTML
PDF | Jensen-Moulton, Stephanie | Essay | Music Fundamentals: Three Classes with Daniel Trush | 15.3, 2009 | HTML
PDF | Jeßulat, Ariane | Essay | Parsimonious Voice Leading and the Stimmführungsmodelle | 24.4, 2018 | HTML
PDF | Johnson, Shersten | Essay | Notational Systems and Conceptualizing Music: A Case Study of Print and Braille Notation | 15.3, 2009 | HTML
PDF | Johnson, Thomas | Article | Tonality as Topic: Opening A World of Analysis for Early Twentieth-Century Modernist Music | 23.4, 2017 | HTML
PDF | Johnson, Timothy | Article | The Computer Presentation of Musical Research: A Case Study | 1.3, 1995 | HTML
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ASCII | Johnston, Blair | Article | Between Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels | 18.2, 2012 | HTML
PDF | Johnston, Blair | Article | Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works | 20.4, 2014 | HTML
PDF | Judd, Cristle Collins | Article | “To Discourse Learnedly” and “Compose Beautifully”: Thoughts on Gioseffo Zarlino, Theory, and Practice | 19.3, 2013 | HTML
PDF | Judd, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
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ASCII | Judd, Robert | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
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ASCII | Judd, Robert | Article | Composers, Performers and Notation: Solo Music Notations in Europe, 1500-1700 | 0.8, 1994 | HTML
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ASCII | Kahrs, Noah | Article | Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina | 26.2, 2020 | HTML
PDF | Kahrs, Noah | Review | Review of Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life (Oxford University Press, 2022) | 28.4, 2022 | HTML
PDF | Kallis, Vasileios | Article | Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures | 14.3, 2008 | HTML
PDF | Kaminsky, Peter | Review | Review of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001) | 11.1, 2005 | HTML
PDF | Kaminsky, Peter | Article | Listening to Performers’ Writings and Recordings: An Analysis of Debussy’s “Colloque sentimental” | 22.3, 2016 | HTML
PDF | Kaminsky, Peter M. | Article | Revenge of the Boomers: Notes on the Analysis of Rock Music | 6.3, 2000 | HTML/Frames
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ASCII | Karnes, Kevin C. | Article | Disco Culture and the Ritual Journey in the Soviet 1980s | 27.3, 2021 | HTML
PDF | Karpinski, Gary S. | Article | Lessons from the Past: Music Theory Pedagogy and the Future | 6.3, 2000 | HTML/Frames
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ASCII | Karpinski, Gary S. | Article | Ambiguity: Another Listen | 18.3, 2012 | HTML
PDF | Karpinski, Gary S. | Article | A Cognitive Basis for Choosing a Solmization System | 27.2, 2021 | HTML
PDF | Keep, David | Review | Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020) | 28.2, 2022 | HTML
PDF | Kielian-Gilbert, Marianne | Article | Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002) | 26.3, 2020 | HTML
PDF | Killam, Rosemary | Article | Feminist Theories—Process and Continua | 0.8, 1994 | HTML
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ASCII | Killam, Rosemary | Article | Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault’s Mad Criminals? | 3.2, 1997 | HTML
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ASCII | Killam, Rosemary | Commentary | Response to Professor Morse's Open Letter (MTO 3.3) | 3.4, 1997 | HTML
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ASCII | Kimberlin, Cynthia Tse | Commentary | Commentary | 16.4, 2010 | HTML
PDF | King, Jonathan T. | Review | Review of Diane Pecknold and Kristine M. McCusker, eds., Country Boys and Redneck Women: New Essays in Gender and Country Music (University Press of Mississippi, 2016) | 23.3, 2017 | HTML
PDF | Kleppinger, Stanley V. | Article | Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano | 17.2, 2011 | HTML
PDF | Klorman, Edward | Report | “Musical Form: Mapping the Territories”: A Conference Report | 20.2, 2014 | HTML
PDF | Klorman, Edward | Essay | Performers as Creative Agents; or, Musicians Just Want To Have Fun | 24.3, 2018 | HTML
PDF | Klorman, Edward | Article | Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet? | 24.4, 2018 | HTML
PDF | Klumpenhouwer, Henry | Article | Some Remarks on the Use of Riemann Transformations | 0.9, 1994 | HTML
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ASCII | Klumpenhouwer, Henry | Commentary | Reconsidering Klumpenhouwer Networks: a Response | 13.3, 2007 | HTML
PDF | Kochavi, Jon | Essay | How Do You Hear That? Autism, Blindness, and Teaching Music Theory | 15.3, 2009 | HTML
PDF | Kochavi, Jonathan | Review | Review of Edward Gollin and Alexander Rehding eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Komaniecki, Robert | Article | Analyzing Collaborative Flow in Rap Music | 23.4, 2017 | HTML
PDF | Koozin, Timothy | Article | On Metaphor, Technology, and Schenkerian Analysis | 5.3, 1999 | HTML/Frames
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Shockwave | Koozin, Timothy | Article | Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach | 17.3, 2011 | HTML
PDF | Koozin, Timothy | Article | Evolving Content and Design | 20.1, 2014 | HTML
PDF | Koozin, Timothy | Report | Conference Report: “Come Together: Fifty Years of Abbey Road” | 25.4, 2019 | HTML
PDF | Kopiez, Reinhard | International Report | Report on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt | 0.7, 1994 | HTML
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ASCII | Kopp, David | Article | On the Function of Function | 1.3, 1995 | HTML
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ASCII | Kopp, David | Article | On Performing Chopin’s Barcarolle | 20.4, 2014 | HTML
PDF | Koslovsky, John | Report | Conference Report: “Fifth International Schenker Symposium” | 19.2, 2013 | HTML
PDF | Kosovsky, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
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ASCII | Kovaciny, Stephen M. | Review | Music Theory’s Visceral Turn: A Review of Roger Matthew Grant, Peculiar Attunements: How Affect Theory Turned Musical (New York: Fordham University Press, 2020) | 27.2, 2021 | HTML | Kozak, Mariusz | Review | Review of Evan Jones ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009) | 18.2, 2012 | HTML
PDF | Kozak, Mariusz | Article | Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models | 21.3, 2015 | HTML
PDF | Kozak, Mariusz | Article | Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? | 27.2, 2021 | HTML
PDF | Kraus, Joseph | Review | Review of David Beach, Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form (Routledge, 2012), and accompanying Teacher’s Manual (PDF format) | 20.4, 2014 | HTML
PDF | Kraus, Joseph | Report | Report on the Second Congress of the Russian Society for the Theory of Music | 21.4, 2015 | HTML
PDF | Kraus, Joseph C. | Article | Coaching Mozart’s String Quintet in E-flat major: Finding the Rhythmic Shape | 15.2, 2009 | HTML
PDF | Krebs, Harald | Review | Review of David Ferris, Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (Oxford University Press, 2000)
| 8.2, 2002 | HTML
PDF | Krebs, Harald | Review | Review of Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (Oxford University Press, 2009) | 17.3, 2011 | HTML
PDF | Krebs, Harald | Article | Treading Robert Schumann’s New Path: Understanding Declamation in the Late Lieder through Analysis and Recomposition | 20.4, 2014 | HTML
PDF | Krims, Adam | Article | Bloom, Post-Structuralism(s), and Music Theory | 0.11, 1994 | HTML
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ASCII | Krims, Adam | Commentary | On the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1) | 1.1, 1995 | HTML
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ASCII | Kutnowski, Martin | Essay | How Register Tells the Story in Scriabin’s Op. 22, No. 2 | 17.2, 2011 | HTML
PDF | Kutschke, Beate | Article | Music and Other Sign Systems | 20.4, 2014 | HTML
PDF | Kuusi, Tuire | Article | The Role of Set-Class Identity in the Estimation of Chords | 9.3, 2003 | HTML/Frames
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PDF | Kuusi, Tuire | Article | Discrimination and Evaluation of Trichords | 15.5, 2009 | HTML
PDF | Lafrance, Marc and Lori Burns | Article | Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna | 23.2, 2017 | HTML
PDF | Lal, Rajan | Article | Harmonic “Quality” and Set-Class Structure: Schoenberg’s Opus 19, No. 2 Reconsidered | 30.1, 2024 | HTML
PDF | Lam, Nathan L. | Article | Pentatonic Xuangong 旋宮 Transformations in Chinese Music | 30.1, 2024 | HTML
PDF | Larson, Steve | Article | Expressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning | 18.3, 2012 | HTML
PDF | Latham, Edward D. | Review | Review of Ethan Haimo, “Atonality Analysis, and the Intentional Fallacy,” Music Theory Spectrum (18/2), 167-199 | 3.2, 1997 | HTML
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ASCII | Latham, Edward D. | Review | Binary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis | 10.3, 2004 | HTML/Frames
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PDF | Lau, Wing | Article | Composing Declamation: Notated Meter Changes in Brahms’s Lieder | 21.2, 2015 | HTML
PDF | Laursen, Lasse | Article | Orchestration Strategies in Simon Steen-Andersen’s Double Up | 22.3, 2016 | HTML
PDF | Lavacek, Justin | Review | Review of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press, 2015) | 22.2, 2016 | HTML
PDF | Lavengood, Megan and Evan Williams | Article | The Common Cold: Using Computational Musicology to Define the Winter Topic in Video Game Music | 29.1, 2023 | HTML
PDF | Lavengood, Megan L. | Article | The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative | 26.3, 2020 | HTML
PDF | Lee, Gavin S. K. | Essay | Global Philosophy of Music: Ji Kang versus Hanslick | 29.4, 2023 | HTML
PDF | Lee, Ji Yeon | Article | Climax Building in Verismo Opera: Archetype and Variants | 26.2, 2020 | HTML
PDF | Lee, Ji Yeon | Article | Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre | 28.2, 2022 | HTML
PDF | Lee, Mike Cheng-Yu | Article | A Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 42 | 16.2, 2010 | HTML
PDF | Leech-Wilkinson, Daniel | Article | Compositions, Scores, Performances, Meanings | 18.1, 2012 | HTML
PDF | Lehman, Frank | Article | Hollywood Cadences: Music and the Structure of Cinematic Expectation | 19.4, 2013 | HTML
PDF | Leonard, Kendra Preston | Article | Musical Mimesis in Orphans of the Storm | 24.2, 2018 | HTML
PDF | Leong, Daphne and Elizabeth McNutt | Article | Response to Janet Schmalfeldt’s Response | 11.1, 2005 | HTML/Frames
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PDF | Leong, Daphne and Elizabeth McNutt | Article | Virtuosity in Babbitt’s Lonely Flute | 11.1, 2005 | HTML/Frames
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PDF | Leong, Daphne and David Korevaar | Article | The Performer’s Voice: Performance and Analysis in Ravel’s Concerto pour la main gauche | 11.3, 2005 | HTML/Frames
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PDF | Leong, Daphne | Essay | Webs and Snares: Multiple References in Babbitt’s Homily and Beaten Paths | 17.2, 2011 | HTML
PDF | Leong, Daphne | Essay | Analysis and Performance, or wissen, können, kennen | 22.2, 2016 | HTML
PDF | Leong, Daphne | Review | Review of Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance (University of Rochester Press, 2016) | 23.3, 2017 | HTML
PDF | Leong, Daphne | Report | SMT’s Interest Groups: A Synopsis | 24.3, 2018 | HTML
PDF | Lester, Joel | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
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ASCII | Lester, Joel | Article | How Theorists Relate To Musicians | 4.2, 1998 | HTML/Frames
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ASCII | Levy, Benjamin R. and Laura Emmery | Article | Archival Research in Music: New Materials, Methods, and Arguments | 27.3, 2021 | HTML
PDF | Levy, Benjamin R. | Article | Material Connections: Bruce Goff, Music, and Modernism Across the Arts | 27.3, 2021 | HTML
PDF | Lewin, David B. | Commentary | Commentary on Roeder (MTO 0.5) | 0.6, 1994 | HTML
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ASCII | Lewin, David B. | Article | The D major Fugue Subject from WTC II: Spatial Saturation? | 4.4, 1998 | HTML/Frames
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ASCII | Lewis, George E. | Essay | Critical Responses to “Theorizing Improvisation (Musically)” | 19.2, 2013 | HTML
PDF | Leydon, Rebecca | Article | Towards a Typology of Minimalist Tropes | 8.4, 2002 | HTML/Frames
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PDF | Leydon, Rebecca | Article | Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime | 18.2, 2012 | HTML
PDF | Leydon, Rebecca | Review | Review of Matthew Brown, Debussy Redux: The Impact of his Music on Popular Culture (Indiana University Press, 2012) | 19.2, 2013 | HTML
PDF | Li, Edwin K. C. | Article | Cantopop and Speech-Melody Complex | 27.1, 2021 | HTML
PDF | Li, Mingyue | Article | Reimagining Organicism: An Ecological Aesthetics of Music and Self-Organizing Structures in the Works of Salvatore Sciarrino | 29.4, 2023 | HTML
PDF | Lind, Stephanie | Article | An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3 | 15.1, 2009 | HTML
PDF | Lind, Stephanie and John Roeder | Article | Transformational Distance and Form in Berg’s “Schlafend trägt man mich” | 15.1, 2009 | HTML
PDF | Lindley, Mark and Ronald Turner-Smith | Article | An Algebraic Approach to Mathematical Models of Scales | 0.3, 1993 | HTML
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ASCII | Link, John | Article | Harmony in Elliott Carter’s Late Music | 25.1, 2019 | HTML
PDF | Link, John | Review | Review of Elliott Carter Speaks: Unpublished Lectures, Edited and with an introduction by Laura Emmery (University of Illinois Press, 2021) | 29.1, 2023 | HTML
PDF | Littlefield, Richard | Commentary | Commentary on John Roeder (MTO 0.5) | 0.7, 1994 | HTML
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ASCII | Littlefield, Richard | Article | The Silence of the Frames | 2.1, 1996 | HTML
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ASCII | Llorens, Ana | Article | Brahmsian Articulation: Ambiguous and Unfixed Structures in Op. 38 | 27.4, 2021 | HTML
PDF | Lochhead, Judith I. | Article | Retooling the Technique | 4.2, 1998 | HTML/Frames
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ASCII | Lochhead, Judy | Review | Review of Leslie C. Dunn and Nancy A. Jones eds., Embodied Voices: Representing Female Vocality in Western Culture (Cambridge University Press, 1994) | 2.1, 1996 | HTML
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ASCII | Lochhead, Judy | Review | Review of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (Cambridge University Press, 2001) | 9.2, 2003 | HTML/Frames
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PDF | Lochhead, Judy | Review | Review-Essay on Suzannah Clark and Alexander Rehding, eds., Music in Time: Phenomenology, Perception, Performance (Harvard University Press, 2016) | 25.4, 2019 | HTML
PDF | Locke, David | Article | Yewevu in the Metric Matrix | 16.4, 2010 | HTML | London, Justin | Article | Loud Rests and Other Strange Metric Phenomena (or, Meter as Heard) | 0.2, 1993 | HTML
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ASCII | London, Justin | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
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ASCII | London, Justin | Commentary | Misreading Meyer: A Reply to Cochrane (MTO 1.1) | 1.3, 1995 | HTML
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ASCII | London, Justin | Commentary | A Different Response to Killam (MTO 3.2, 3.3) | 3.4, 1997 | HTML
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ASCII | London, Justin | Commentary | Commentary | 16.4, 2010 | HTML
PDF | London, Justin | Review | Review of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010) | 17.2, 2011 | HTML
PDF | London, Justin | Article | A Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion | 28.1, 2022 | HTML
PDF | Long, Megan Kaes | Review | Review of Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music (Cambridge University Press, 2015) | 22.2, 2016 | HTML
PDF | Long, Megan Kaes | Article | Reassessing the Plagal Cadence in Byrd and Morley | 28.3, 2022 | HTML
PDF | Long, Rebecca | Article | Mid-Exposition Modal Contrast and Francesco Galeazzi’s “Characteristic Passage” | 30.3, 2024 | HTML
PDF | Losada, C. Catherine | Article | Middleground Structure in the Cadenza to Boulez’s Éclat | 25.1, 2019 | HTML
PDF | Losada, Catherine | Commentary | K-nets and Hierarchical Structural Recursion: Further Considerations | 13.3, 2007 | HTML
PDF | Love, Stefan C. | Article | “Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues | 18.3, 2012 | HTML
PDF | Love, Stefan Caris | Article | Historical Hypermetrical Hearing: Cycles and Schemas in the String-Quartet Minuet | 21.3, 2015 | HTML
PDF | Lucas, Olivia R. | Article | “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen | 24.3, 2018 | HTML
PDF | Lucas, Olivia R. | Article | Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show | 27.4, 2021 | HTML
PDF | Luchese, Diane | Review | Review of Anthony Pople, Messiaen: Quatuor pour la fin du Temps (Cambridge University Press, 1998) | 5.2, 1999 | HTML
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ASCII | Lumsden, Rachel | Article | Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns for The Girl’s Own Paper | 26.3, 2020 | HTML
PDF | Lumsden, Rachel L. | Article | “You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine | 23.2, 2017 | HTML
PDF | Lundberg, Mattias | Article | “To Let it Be Without Pretense”: Canon, Fugue, and Imitation in Progressive Rock 1968–1979 | 20.3, 2014 | HTML
PDF | Luong, Vivian | Article | Rethinking Music Loving | 23.2, 2017 | HTML
PDF | Mailman, Josh | Commentary | The Aims of Music Theory and Neurath’s Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2) | 2.4, 1996 | HTML
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ASCII | Mailman, Joshua Banks | Article | Portmantonality and Babbitt’s Poetics of Double Entendre | 26.2, 2020 | HTML
PDF | Malawey, Victoria | Article | Harmonic Stasis and Oscillation in Björk’s Medúlla | 16.1, 2010 | HTML
PDF | Malawey, Victoria | Article | Strophic Modification in Songs by Amy Beach | 20.4, 2014 | HTML
PDF | Maler, Anabel | Article | Songs for Hands: Analyzing Interactions of Sign Language and Music | 19.1, 2013 | HTML
PDF | Maler, Anabel and Robert Komaniecki | Article | Rhythmic Techniques in Deaf Hip Hop | 27.1, 2021 | HTML
PDF | Manabe, Noriko | Essay | We Gon’ Be Alright? The Ambiguities of Kendrick Lamar’s Protest Anthem | 25.1, 2019 | HTML
PDF | Margulis, Elizabeth Hellmuth, Natalie Miller, Nathaniel Mitchell, Mauro Orsini Windholz, Jamal Williams and J. Devin McAuley | Article | Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music | 28.4, 2022 | HTML
PDF | Marion, Gregory J. | Article | Debussy and Recollection: trois aperçu | 13.1, 2007 | HTML
PDF | Marlowe, Sarah | Article | Resolving Tensions between Outer Form and Inner Form in Fugue: A Comparative Analysis of J. S. Bach’s Fugue in D minor (WTC I) | 26.3, 2020 | HTML
PDF | Martens, Peter | Article | Tactus in Performance: Constraints and Possibilities | 18.1, 2012 | HTML
PDF | Martens, Peter | Essay | Ways of Knowing the Body, Bodily Ways of Knowing | 22.2, 2016 | HTML
PDF | Martens, Peter A. | Article | Glenn Gould’s “Constant Rhythmic Reference Point”:
Communicating Pulse in Bach’s Goldberg Variations, 1955 and 1981 | 13.4, 2007 | HTML
PDF | Martin, Alexander | Article | Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder | 28.1, 2022 | HTML
PDF | Martin, Ed | Article | Harmonic Progression in Magnus Lindberg’s Twine | 16.1, 2010 | HTML
PDF | Martin, Henry, Cynthia Folio, Steve Larson, Lori Burns, John Covach and Walter Everett | Commentary | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | 14.3, 2008 | HTML
PDF | Martin, Henry | Composition | Pensieri | 18.3, 2012 | HTML | Martin, Henry | Article | Charlie Parker and “Honeysuckle Rose”: Voice Leading, Formula, and Motive | 18.3, 2012 | HTML
PDF | Martin, Henry | Article | Four Studies of Charlie Parker's Compositional Processes | 24.2, 2018 | HTML
PDF | Martin, Henry | Article | On the Tonic Added-Sixth Chord in Jazz | 29.2, 2023 | HTML
PDF | Martin, Nathan John | Essay | History for Theorists | 25.3, 2019 | HTML
PDF | Martinez, José Luis | Article | Semiotics and the Art Music of India | 6.1, 2000 | HTML/Frames
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ASCII | Martinkus, Caitlin G. | Article | Schubert’s Large-Scale Sentences: Exploring the Function of Repetition in Schubert’s First-Movement Sonata Forms | 27.3, 2021 | HTML
PDF | Marvin, Elizabeth West | Article | Rethinking Aural Skills Instruction through Cognitive Research: A Response | 27.2, 2021 | HTML
PDF | Marvin, William M. | Review | Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training (W.W. Norton and Company, 1997) | 3.4, 1997 | HTML
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ASCII | Marvin, William M. | Review | Review of Markus Neuwirth and Pieter Bergé, eds., What Is A Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (Leuven University Press, 2015) | 21.4, 2015 | HTML
PDF | Masci, Michael | Article | Reconstructing the Paris Conservatory’s Cours d’Harmonie 1812–1844: Discipline, Sources, Theory, and Method | 28.4, 2022 | HTML
PDF | Mastic, Timothy R. | Article | Normative Wit: Haydn’s Recomposed Recapitulations | 21.2, 2015 | HTML
PDF | Mattessich, John J | Essay | This Flow Ain’t Free: Generative Elements in Kendrick Lamar’s To Pimp a Butterfly | 25.1, 2019 | HTML
PDF | Maus, Fred Everett | Report | LGBTQ+ Lives in Professional Music Theory | 26.1, 2020 | HTML
PDF | Mawer, Deborah | Article | Exploring Complementation in Bartók’s Third Quartet | 13.4, 2007 | HTML
PDF | McAdams, Stephen, Meghan Goodchild and Kit Soden | Article | A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception | 28.3, 2022 | HTML
PDF | McCandless, Gregory R. | Article | Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater | 19.2, 2013 | HTML
PDF | McCandless, Gregory R. | Report | Conference Report: “Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century” | 23.2, 2017 | HTML
PDF | McClary, Susan | Article | In Praise of Contingency: The Powers and Limits of Theory | 16.1, 2010 | HTML
PDF | McClimon, Michael | Article | Transformations in Tonal Jazz: ii–V Space | 23.1, 2017 | HTML
PDF | McCreless, Patrick | Review | Review of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton University Press, 1993) | 2.1, 1996 | HTML
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ASCII | McCreless, Patrick | Article | Contemporary Music Theory and the New Musicology: An Introduction | 2.2, 1996 | HTML
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ASCII | McCreless, Patrick | Article | Music Theory as Community: A Perspective from the Late ’90’s | 4.2, 1998 | HTML/Frames
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ASCII | McCreless, Patrick | Article | Music Theory and Historical Awareness | 6.3, 2000 | HTML/Frames
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ASCII | McCreless, Patrick | Article | Ownership, In Music and Music Theory | 17.1, 2011 | HTML
PDF | McCreless, Patrick | Review | Review of Thomas Christensen, The Work of Music Theory (Ashgate, 2014) | 22.1, 2016 | HTML
PDF | McFarland, Mark | Review | Review of Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy (University of Rochester Press, 2007) | 15.2, 2009 | HTML
PDF | McFarland, Mark | Article | Schenker and the Tonal Jazz Repertory: A Response to Martin | 18.3, 2012 | HTML
PDF | McNamee, Ann K. | Article | Grazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion and Sonata Form | 0.4, 1993 | HTML
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ASCII | McNamee, Ann K. | Article | Publishing and Pedagogy Using Multimedia on the World-Wide Web | 3.5, 1997 | HTML/Frames
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ASCII | McNutt, Elizabeth | Article | A Postscript on Process | 11.1, 2005 | HTML
PDF | Medina-Gray, Elizabeth | Article | Analyzing Modular Smoothness in Video Game Music | 25.3, 2019 | HTML
PDF | Meeùs, Nicolas | Essay | Harmonic Vectors and the Constraints of Tonality | 24.4, 2018 | HTML
PDF | Meeus, Nicolas | International Report | Music Theory and Analysis in France and Belgium | 3.4, 1997 | HTML
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ASCII | Meeus, Nicolas | Article | Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions | 6.1, 2000 | HTML/Frames
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ASCII | Mendez, Matthew | Review | Review of Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (Oxford University Press, 2019) | 26.3, 2020 | HTML
PDF | Mengozzi, Stefano | Review | Review of Lionel Pike, Hexachords in Late-Renaissance Music (Ashgate, 1998) | 4.3, 1998 | HTML/Frames
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PDF | Micchelli, Mark | Article | Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music | 28.3, 2022 | HTML
PDF | Michaelsen, Garrett | Article | Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965 | 25.3, 2019 | HTML
PDF | Miller, Brian A. | Article | “All of the Rules of Jazz”: Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation | 26.3, 2020 | HTML
PDF | Miller, Paul V. and Christopher Cox | Article | Music from Plant Biosignals: A Conceptual and Analytical Orientation | 30.1, 2024 | HTML
PDF | Mirka, Danuta | Article | Texture in Penderecki’s Sonoristic Style | 6.1, 2000 | HTML/Frames
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ASCII | Mitchell, Nathaniel | Article | On Meter and the Social Dynamics of Cueing in Bill Monroe’s “Muleskinner Blues” | 30.3, 2024 | HTML
PDF | Miyake, Jan | Review | Review of Ian Bent, David Bretherton, and William Drabkin, eds. Heinrich Schenker: Selected Correspondence (Boydell Press, 2014) | 21.4, 2015 | HTML
PDF | Momii, Toru | Article | A Transformational Approach to Gesture in Shō Performance | 26.4, 2020 | HTML
PDF | Monahan, Seth | Review | Review of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford University Press, 2011) | 17.3, 2011 | HTML
PDF | Monelle, Raymond | Commentary | Martinez’s Concept of “Intrinsic Semiosis” (Commentary on Martinez, MTO 6.1) | 6.2, 2000 | HTML
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ASCII | Montague, Eugene | Article | Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 | 18.4, 2012 | HTML
PDF | Montague, Eugene | Essay | Introduction: Agency and Musical Performance | 24.3, 2018 | HTML
PDF | Moore, Allan F. | Article | The Persona-Environment Relation in Recorded Song | 11.4, 2005 | HTML/Frames
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PDF | Morabito, Fabio | Essay | The Score in the Performer’s Hands: Reading Traces of the Act of Performance as a Form of Analysis? | 22.2, 2016 | HTML
PDF | Morford, James B. and Aaron M. David | Article | Metric Modes and Fluid Meter in Mande Drumming Music | 29.3, 2023 | HTML
PDF | Mori, Akane | Review | Review of Maureen Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–25) (Oxford, 2014) | 21.3, 2015 | HTML
PDF | Morris, Rebecca | Essay | Universal Design and Adaptive Equipment: Ideas and Solutions for Music Schools | 15.3, 2009 | HTML
PDF | Morris, Robert D. | Article | Introduction to Panorama of Music Theory, 1987–97 | 4.2, 1998 | HTML/Frames
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ASCII | Morrison, Landon | Review | Review of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014) | 21.1, 2015 | HTML
PDF | Morrison, Landon | Article | Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Music at IRCAM, 1982–87 | 27.3, 2021 | HTML
PDF | Morse, Michael William | Commentary | To Rosemary Killam: An Open Letter and Reply (MTO 3.2) | 3.3, 1997 | HTML/Frames
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ASCII | Moseley, Roger | Essay | Entextualization and the Improvised Past | 19.2, 2013 | HTML
PDF | Moseley, Rowland | Review | Review of Roger Mathew Grant, Beating Time & Measuring Music in the Early Modern Era (Oxford University Press, 2014) | 22.4, 2016 | HTML
PDF | Murcott, Dominic | Article | Tomorrow’s Music On Yesterday’s Machines: In Search of an ‘Authentic’ Nancarrow Performance | 20.1, 2014 | HTML
PDF | Murphy, Nancy | Review | Review of The Cambridge Companion to the Singer-Songwriter, ed. Katherine Williams and Justin A. Williams (Cambridge University Press, 2016) | 24.2, 2018 | HTML
PDF | Murphy, Nancy | Article | Buffy Sainte-Marie’s Self-Expressive Voice | 29.3, 2023 | HTML
PDF | Murphy, Scott | Article | The Major Tritone Progression in Recent Hollywood Science Fiction Films | 12.2, 2006 | HTML/Frames
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PDF | Murphy, Scott | Article | Considering Network Recursion and Bartók’s “Fourths” | 13.3, 2007 | HTML
PDF | Murphy, Scott | Article | Cohn’s Platonic Model and the Regular Irregularities of Recent Popular Multimedia | 22.3, 2016 | HTML
PDF | Murphy, Scott | Article | Three Audiovisual Correspondences in the Main Title for Vertigo | 28.1, 2022 | HTML
PDF | Muxfeldt, Kristina | Review | Review of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011) | 18.3, 2012 | HTML
PDF | Neidhöfer, Christoph | Article | Bruno Maderna’s Serial Arrays | 13.1, 2007 | HTML
PDF | Neidhöfer, Christoph | Review | Review of Theodor W. Adorno, Kranichsteiner Vorlesungen, edited by Klaus Reichert and Michael Schwarz (Suhrkamp, 2014) | 23.4, 2017 | HTML
PDF | Neidhöfer, Christoph | Article | Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni | 30.2, 2024 | HTML
PDF | Nemire, Julie A. | Article | Convergence Points in Conlon Nancarrow’s Tempo Canons | 20.1, 2014 | HTML
PDF | Nettl, Bruno | Essay | Contemplating the Concept of Improvisation and Its History in Scholarship | 19.2, 2013 | HTML
PDF | Neumeyer, David | Article | Schoenberg at the Movies: Dodecaphony and Film | 0.1, 1993 | HTML
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ASCII | Neumeyer, David | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
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ASCII | Neumeyer, David | Article | The Contredanse, Classical Finales, and Caplin’s Formal Functions | 12.4, 2006 | HTML
PDF | Ng, Samuel | Article | Musical Eschatology in Contemporary Christian Worship Songs | 28.4, 0 | HTML
PDF | Ng, Samuel | Review | Review of Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet (Indiana University Press, 2005) | 13.4, 2007 | HTML
PDF | Ng, Samuel | Review | Review of Ryan McClelland, Brahms and the Scherzo: Studies in Musical Narrative (Ashgate, 2010) | 17.3, 2011 | HTML
PDF | Nicholls, David | Review | Review of Ray Allen and Ellie M. Hisama eds., Ruth Crawford Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music (University of Rochester Press, 2007) | 14.1, 2008 | HTML
PDF | Nicholls, David | Review | Review of Pwll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Ashgate, 2007) | 14.2, 2008 | HTML
PDF | Nicolas, Patrice | Article | Challenging Some Misconceptions about the Règle de l’octave | 25.4, 2019 | HTML
PDF | Nobile, Drew | Article | Alanis Morissette’s Voices | 28.4, 2022 | HTML
PDF | Nobile, Drew F. | Article | Form and Voice Leading in Early Beatles Songs | 17.3, 2011 | HTML
PDF | Nobile, Drew F. | Article | Interval Permutations | 19.3, 2013 | HTML
PDF | Nobile, Drew F. | Article | Teleology in Verse–Prechorus–Chorus Form, 1965–2020 | 28.3, 2022 | HTML
PDF | Noble, Jason D. K. | Article | What Can the Temporal Structure of Auditory Perception Tell Us about Musical “Timelessness”? | 24.3, 2018 | HTML
PDF | Nolan, Catherine | Commentary | Thoughts on Klumpenhouwer Networks and Mathematical Models: The Synergy of Sets and Graphs | 13.3, 2007 | HTML
PDF | Nooshin, Laudan | Essay | Beyond the Radif: New Forms of Improvisational Practice in Iranian Music | 19.2, 2013 | HTML
PDF | Novak, John | Review | Review of Amanda Bayley ed., The Cambridge Companion to Bartök (Cambridge University Press, 2001) | 7.5, 2001 | HTML
PDF | O’Donnell, Shaugn | Commentary | Embracing Relational Abundance | 13.3, 2007 | HTML
PDF | O’Hara, William | Article | The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers | 28.3, 2022 | HTML
PDF | O'Donnell, Shaugn | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
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ASCII | Ofcarcik, Judith | Article | Multi-Strand Musical Narratives: An Introduction | 26.2, 2020 | HTML
PDF | Ohriner, Mitchell M. | Essay | Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma” | 25.1, 2019 | HTML
PDF | Ohriner, Mitchell S. | Article | Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas | 18.1, 2012 | HTML
PDF | Oinas, Cecilia | Article | Sonic Bridges and Pitch-Based Bonding in Two Songs by Saariaho | 29.3, 2023 | HTML
PDF | Osborn, Brad | Review | Review of Andrew Dell’ Antonio, ed., Beyond Structural Listening?: Postmodern Modes of Hearing (University of California Press, 2004) | 14.3, 2008 | HTML
PDF | Osborn, Brad | Article | Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres | 17.3, 2011 | HTML
PDF | Ovenden, Philippa | Article | Out of the Blue: Preparing Proportions in the Old Hall Manuscript | 29.4, 2023 | HTML
PDF | Pack, Tim S. | Review | Review of Michael Praetorius; Jeffery T. Kite-Powell trans. and ed., Syntagma musicum III (Oxford University Press, 2004) | 12.3, 2006 | HTML
PDF | Pack, Tim S. | Composition | Pie Jesu | 18.3, 2012 | HTML | Pacun, David | Essay | Reflections on and Some Recommendations for Visually Impaired Students | 15.3, 2009 | HTML
PDF | Palfy, Cora S. | Article | Formal Reminiscence Space and Memory in Sufjan Stevens’s Storytelling | 26.1, 2020 | HTML
PDF | Palmer, James K. | Article | Humorous Script Oppositions in Classical Instrumental Music | 23.1, 2017 | HTML
PDF | Park, Joon | Article | Analyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw | 26.4, 2020 | HTML
PDF | Parkhurst, Bryan J. | Article | Fraught with Ought: An Outline of an Expressivist Meta‐Theory | 19.3, 2013 | HTML
PDF | Parncutt, Richard | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
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ASCII | Parncutt, Richard | International Report | Review of the 1993 Conference of the Society for Music Perception and Cognition | 0.6, 1994 | HTML
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ASCII | Parncutt, Richard | Commentary | Response to Demske: Relating Sets | 1.3, 1995 | HTML
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ASCII | Parsons, Laurel | Article | Dyslexia and Post-Secondary Aural Skills Instruction | 21.4, 2015 | HTML
PDF | Pastille, William | Article | Schenker’s Value-Judgments | 1.6, 1995 | HTML
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ASCII | Pau, Andrew | Article | “Sous le rythme de la chanson”: Rhythm, Text, and Diegetic Performance in Nineteenth-Century French Opera | 21.3, 2015 | HTML
PDF | Pearson, David M. | Article | Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music | 25.1, 2019 | HTML
PDF | Peck, Robert | Review | Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011) | 18.3, 2012 | HTML
PDF | Peck, Robert W. | Article | Klein-Bottle Tonnetze | 9.3, 2003 | PDF | Peck, Robert W. | Review | Review of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis | 9.3, 2003 | HTML
PDF | Peck, Robert W. | Article | A GAP Tutorial for Transformational Music Theory | 17.1, 2011 | HTML
PDF | Pedneault-Deslauriers, Julie | Article | The French Path: Early Major-Minor Theory from Jean Rousseau to Saint-Lambert | 23.1, 2017 | HTML
PDF | Peebles, Crystal A. | Article | Editorial Markings as Analysis in Bach’s Partita No. 1 for Solo Violin, “Corrente” | 24.4, 2018 | HTML
PDF | Pell, Nathan | Article | Key Profiles in Bruckner’s Symphonic Expositions: “Ein Potpourri von Exaltationen”? | 24.1, 2018 | HTML
PDF | Perrott, David | Review | Review of Laurent Fichet, Les theories scientifiques de la musique (Librairie philosophique J. Vrin, 1996) | 5.4, 1999 | HTML
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ASCII | Perry, Jeff | Commentary | Music Theory as Conversation | 13.1, 2007 | HTML
PDF | Perry, Jeff | Review | Review of Anthony K. Brandt, Sound Reasoning: A New Way to Listen (http://www.soundreasoning.org) | 13.3, 2007 | HTML
PDF | Perry, Jeffrey | Review | Review of Allen Forte, The Atonal Music of Anton Webern (Yale University Press, 1999) | 6.1, 2000 | HTML/Frames
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ASCII | Perry, Jeffrey | Article | Music, Evolution and the Ladder of Progress | 6.5, 2000 | HTML/Frames
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ASCII | Perry, Jeffrey | Review | Review of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe (Cambridge University Press, 2001) | 9.1, 2003 | HTML
PDF | Perry, Jeffrey | Report | Conference Report: EuroMAC 9 | 23.3, 2017 | HTML
PDF | Perry, Jeffrey | Article | Cage’s Imitation Game: Cheap Imitation and Song Books through the sketches | 27.3, 2021 | HTML
PDF | Pieslak, Jonathan | Review | Review of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (Oxford University Press, 2003) | 14.1, 2008 | HTML
PDF | Platt, Heather | Report | “Brahms in the New Century”: A Conference Report | 18.2, 2012 | HTML
PDF | Plotkin, Richard | Article | Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry | 25.2, 2019 | HTML
PDF | Polak, Rainer | Article | Rhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali | 16.4, 2010 | HTML
PDF | Polak, Rainer and Justin London | Article | Timing and Meter in Mande Drumming from Mali | 20.1, 2014 | HTML
PDF | Polth, Michael | Essay | The Individual Tone and Musical Context in Albert Simon’s Tonfeldtheorie | 24.4, 2018 | HTML
PDF | Pomeroy, Boyd | Review | Review of Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin, eds. Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (University of Rochester Press, 2015) | 22.4, 2016 | HTML
PDF | Ponce, Adriana | Article | Form, Diversity, and Lack of Fulfillment in the First Movement of Schumann’s Fantasie op. 17 | 20.3, 2014 | HTML
PDF | Pople, Anthony | Review | Review of David Epstein, Shaping Time: Music, the Brain, and Performance (Schirmer Books, 1995) | 3.3, 1997 | HTML/Frames
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ASCII | Posen, Thomas William | Article | Windows into Beethoven’s Lessons in Bonn: Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie (1773) and Vogler’s Gründe der Kuhrpfälzischen Tonschule in Beyspielen (1776/1778) | 29.4, 2023 | HTML
PDF | Principi, Dylan | Essay | Rethinking Topic Theory: An Essay on the Recent History of a Music Theory | 30.1, 2024 | HTML
PDF | Probst, Stephanie | Article | Pen, Paper, Steel: Visualizing Bach’s Polyphony at the Bauhaus | 26.4, 2020 | HTML
PDF | Puri, Michael J. | Article | Ravel’s Valses nobles et sentimentales and its Models | 23.3, 2017 | HTML
PDF | Quaglia, Bruce | Review | Review of Bryan Simms, The Atonal Music of Arnold Schoenberg 1908-1923 (Oxford, 2000) | 8.1, 2002 | HTML
PDF | Quaglia, Bruce | Review | Reviews of Neil Lerner and Joseph Straus eds., Sounding Off: Theorizing Disability in Music (Routledge, 2006) and Joseph Straus, “Normalizing the Abnormal: Disability in Music and Music Theory,” Journal of the American Musicological Society (59/1), 113-184 | 13.2, 2007 | HTML
PDF | Quaglia, Bruce | Review | Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language (Cambridge University Press, 2006) | 14.4, 2008 | HTML
PDF | Quaglia, Bruce W. | Article | Planning for Student Variability: Universal Design for Learning in the Music Theory Classroom and Curriculum | 21.1, 2015 | HTML
PDF | Rabinovitch, Gilad and Johnandrew Slominski | Article | Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation | 21.3, 2015 | HTML
PDF | Rabinovitch, Gilad | Review | Review of Massimiliano Guido, ed., Studies in Historical Improvisation from Cantare super Librum to Partimenti (Ashgate, 2017) | 23.4, 2017 | HTML
PDF | Rabinovitch, Gilad | Article | Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012 | 26.2, 2020 | HTML
PDF | Rabinovitch, Gilad and Aaron Carter-Enyi | Article | Melodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship | 30.1, 2024 | HTML
PDF | Rahn, Jay | Commentary | Reply to Smoliar’s “Mathematical Logic” (MTO 0.9, 0.10) | 0.10, 1994 | HTML
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ASCII | Rahn, Jay | Article | From Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation | 0.9, 1994 | HTML
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ASCII | Rahn, Jay | Article | Practical Aspects of Marchetto’s Tuning | 4.6, 1998 | HTML/Frames
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ASCII | Rahn, Jay | Review | Conference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 2001 | 7.5, 2001 | HTML
PDF | Rahn, Jay | Article | Was Mesopotamian Tuning Diatonic? A Parsimonious Answer | 28.1, 2022 | HTML
PDF | Ramirez, Miguel J. | Review | Review of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Ashgate, 2011) | 17.4, 2011 | HTML
PDF | Rao, Nancy Yunhwa | Article | The Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004) | 26.3, 2020 | HTML
PDF | Raschke, Peter J. | Review | Review of Music-Theory Web Sites for the Beginner | 5.2, 1999 | HTML
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ASCII | Ravenscroft, Brenda | Article | Chair’s Introduction to “Form as Process: Celebrating the Work of Janet Schmalfeldt” | 16.2, 2010 | HTML
PDF | Rawlins, Robert | Review | Review of Mark Levine, The Jazz Theory Book (Sher Music, 1995) | 6.1, 2000 | HTML
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ASCII | Reddick, Carissa | Article | Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century | 16.2, 2010 | HTML
PDF | Reed, Jacob and Matthew Bain | Article | A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue from WTC I | 13.4, 2007 | HTML
PDF | Reed, S. Alexander | Article | An Idiom of Melodic-Harmonic Divorce: Sub-Circle Motion in Popular Music | 28.2, 2022 | HTML
PDF | Reef, John S. | Article | A “Proto-Theme” in Some of J. S. Bach’s Fugal Works | 26.4, 2020 | HTML
PDF | Reenan, Sam | Article | Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet | 28.1, 2022 | HTML
PDF | Reenan, Samuel and Richard Bass | Article | Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music | 22.2, 2016 | HTML
PDF | Rehding, Alexander | Article | Instruments of Music Theory | 22.4, 2016 | HTML
PDF | Remeš, Derek | Article | Some (Dis)Assembly Required: Modularity in the Keyboard Improvisation Pedagogy of Jacob Adlung and Johann Vallade | 26.1, 2020 | HTML
PDF | Remeš, Derek | Article | Harmonizing Chorales Systematically: A Translation of G. H. Stölzel’s Kurzer und gründlicher Unterricht (Brief and Thorough Instruction), ms. c.1719–1749 | 26.3, 2020 | HTML
PDF | Renwick, William | Article | “A Subject of Four Notes”: William Crotch’s Experiment in Motivic Saturation | 0.10, 1994 | HTML
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ASCII | Ricci, Adam | Article | The Progress of a Motive in Brahms’s Intermezzo op. 119, no. 3 | 13.3, 2007 | HTML
PDF | Richards, Mark | Article | Film Music Themes: Analysis and Corpus Study | 22.1, 2016 | HTML
PDF | Richards, Mark | Article | Tonal Ambiguity in Popular Music’s Axis Progressions | 23.3, 2017 | HTML
PDF | Rifkin, Deborah | Article | Visualizing Peter: The First Animated Adaptations of Prokofiev’s Peter and the Wolf | 24.2, 2018 | HTML
PDF | Rings, Steven | Article | A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 | 19.4, 2013 | HTML
PDF | Rings, Steven | Article | Music’s Stubborn Enchantments (and Music Theory’s) | 24.1, 2018 | HTML
PDF | Rink, John | Essay | Response | 22.2, 2016 | HTML
PDF | Robb, Hamish J. | Article | Imagined, Supplemental Sound in Nineteenth-Century Piano Music: Towards a Fuller Understanding of Musical Embodiment | 21.3, 2015 | HTML
PDF | Robbie, Andrew D. | Review | Review of Brian Hulse and Nick Nesbitt eds., Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Ashgate, 2010) | 18.1, 2012 | HTML
PDF | Robison, Brian | Article | Modifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches | 0.10, 1994 | HTML
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ASCII | Robison, Brian | Commentary | Category Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4) | 1.5, 1995 | HTML
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ASCII | Rockwell, Joti | Article | Birdcage Flights: A Perspective on Inter-Cardinality Voice Leading | 15.5, 2009 | HTML
PDF | Rodgers, Stephen | Review | Review of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (Routledge, 2010) | 16.3, 2010 | HTML
PDF | Rodgers, Stephen | Article | Thinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel | 17.1, 2011 | HTML
PDF | Rodgers, Stephen | Composition | Not So Far Away | 18.3, 2012 | HTML | Rodgers, Stephen, Henry Martin and Keith Waters | Article | Guest Editors’ Introduction: “The More Questions, The Better” | 18.3, 2012 | HTML
PDF | Rodgers, Stephen and Tyler Osborne | Article | Prolongational Closure in the Lieder of Fanny Hensel | 26.3, 2020 | HTML
PDF | Roeder, John | Article | Toward a Semiotic Evaluation of Music Analyses | 0.5, 1993 | HTML
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ASCII | Roeder, John | Commentary | Response to Commentaries (on his MTO 0.5 article) | 0.6, 1994 | HTML
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ASCII | Roeder, John | Review | Review of Christopher F. Hasty, Meter as Rhythm (Oxford University Press, 1997) | 4.4, 1998 | HTML
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ASCII | Roeder, John | Article | Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartök’s “With Drums and Pipes” | 7.1, 2001 | HTML
PDF | Roeder, John | Article | A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen” | 15.1, 2009 | HTML
PDF | Roeder, John | Article | Constructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–32 | 15.1, 2009 | HTML
PDF | Roeder, John | Article | Introduction | 15.1, 2009 | HTML
PDF | Roeder, John | Article | Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999) | 26.3, 2020 | HTML
PDF | Roemjantsew, Tamara W. | International Report | Report on Two Conferences in the Netherlands | 6.1, 2000 | HTML
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ASCII | Rogers, Nancy and Michael Buchler | Article | Square Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models | 9.4, 2003 | PDF
PDF/Frames | Rojo, Cristina González | Review | Review of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021) | 30.1, 2024 | HTML
PDF | Rothfarb, Lee | Article | Early History | 20.1, 2014 | HTML
PDF | Rothgeb, John | Article | The Tristan Chord: Identity and Origin | 1.1, 1995 | HTML
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ASCII | Rothgeb, John | Commentary | Re: Eytan Agmon on Functional Theory | 2.1, 1996 | HTML
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ASCII | Rothstein, William | Commentary | The Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1) | 1.3, 1995 | HTML
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ASCII | Rothstein, William | Article | Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17 | 11.1, 2005 | HTML/Frames
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ASCII | Rothstein, William | Article | Common-tone Tonality in Italian Romantic Opera: An Introduction | 14.1, 2008 | HTML
PDF | Royal, Matthew S. | Review | Review of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (University of Chicago Press, 1992). | 1.6, 1995 | HTML
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ASCII | Royal, Matthew S. | Review | Review of Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705 (Ashgate Press, 2008) | 16.4, 2010 | HTML
PDF | Rusch, René | Article | Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80 | 19.1, 2013 | HTML
PDF | Rusch, René | Article | Crossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext | 19.4, 2013 | HTML
PDF | Rusch, René | Review | Review of Lauri Suurpää, Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle (Indiana University Press, 2014) | 20.3, 2014 | HTML
PDF | Rusch, René, Keith Salley and Chris Stover | Article | Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins | 22.3, 2016 | HTML
PDF | Salley, Keith | Review | Review of Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014) | 21.1, 2015 | HTML
PDF | Salley, Keith | Article | On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg | 21.4, 2015 | HTML
PDF | Salley, Keith | Article | Late Night Thoughts on Listening to Schoenberg’s Klavierstück, op. 33a | 27.1, 2021 | HTML
PDF | Sallmen, Mark | Article | Listening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis” | 13.3, 2007 | HTML
PDF | Sallmen, Mark | Article | Exploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation | 17.4, 2011 | HTML
PDF | Samarotto, Frank | Review | “The Body that Beats”: Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford University Press, 1999) | 6.4, 2000 | HTML/Frames
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ASCII | Samarotto, Frank | Article | Sublimating Sharp : An Exercise in Schenkerian Energetics | 10.3, 2004 | HTML/Frames
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PDF | Samarotto, Frank | Article | “Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis | 15.2, 2009 | HTML
PDF | Samplaski, Art | Article | Interval-Classes and Psychological Space | 10.2, 2004 | HTML/Frames
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PDF | Samplaski, Art | Article | Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling | 11.2, 2005 | HTML/Frames
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PDF | Saslaw, Janna | Essay | “Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students | 15.3, 2009 | HTML
PDF | Sauer, Amanda Stringer | Article | Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101 | 13.2, 2007 | HTML
PDF | Sawatzky, Grant | Report | Fifth Conference on Analytical Approaches to World Music, and Eighth Folk Music International Workshop | 24.3, 2018 | HTML
PDF | Sayrs, Elizabeth | Article | Narrative, Metaphor, and Conceptual Blending in “The Hanging Tree” | 9.1, 2003 | HTML
PDF | Schachter, Michael | Article | Structural Levels in South Indian Music | 21.4, 2015 | HTML
PDF | Schaffer, John Wm. | Review | Review of Peter Castine’s Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music (Peter Lang, 1994) | 2.6, 1996 | HTML
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ASCII | Schaffer, John Wm. | Review | Review of Eleanor Selfridge-Field, Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997) | 5.4, 1999 | HTML
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ASCII | Scherzinger, Martin | Article | Temporal Geometries of an African Music: A Preliminary Sketch | 16.4, 2010 | HTML
PDF | Schmalfeldt, Janet | Article | On Keeping the Score | 4.2, 1998 | HTML/Frames
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ASCII | Schmalfeldt, Janet | Article | Keynote Address, Twenty-Sixth Annual SMT Conference: “Coming Home” | 10.1, 2004 | HTML/Frames
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PDF | Schmalfeldt, Janet | Article | Response (to the Special Issue on Performance and Analysis) | 11.1, 2005 | HTML
PDF | Schmalfeldt, Janet | Article | One More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives: A Response to William E. Caplin and James Hepokoski | 16.2, 2010 | HTML
PDF | Schmalfeldt, Janet | Article | Response to Carissa Reddick | 16.2, 2010 | HTML
PDF | Schmalfeldt, Janet | Article | Response to Mike Cheng-Yu Lee | 16.2, 2010 | HTML
PDF | Schmalfeldt, Janet | Essay | Response | 22.2, 2016 | HTML
PDF | Scholtz, Kenneth P. | Article | Algorithms for Mapping Diatonic Keyboard Tunings and Temperaments | 4.4, 1998 | HTML/Frames
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ASCII | Schubert, Peter | Review | Review of David Yearsley, Bach and the Meanings of Counterpoint (Cambridge University Press, 2002) | 12.1, 2006 | HTML
PDF | Schubert, Peter and Marcelle Lessoil-Daelman | Article | What Modular Analysis Can Tell Us About Musical Modeling in the Renaissance | 19.1, 2013 | HTML
PDF | Schubert, Peter | Article | Sometimes the Music Wins: Text and Music in a Willaert Madrigal | 27.4, 2021 | HTML
PDF | Schubert, Peter | Article | Willaert’s Elusive Counterpoint Explained | 28.4, 2022 | HTML
PDF | Schubert, Peter N. | Review | Review of Joachim Burmeister; Benito V. Rivera trans., Musical Poetics (Yale University Press, 1993) | 1.5, 1995 | HTML
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ASCII | Schubert, Peter N. | Article | Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet | 24.1, 2018 | HTML
PDF | Schuiling, Floris | Article | Talking Scores and the Dismediation of Music Notation | 29.1, 2023 | HTML
PDF | Schulenberg, David L. | Commentary | Commentary on Channan Willner: “More on Handel and the Hemiola” (MTO 2.3) | 2.5, 1996 | HTML
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ASCII | Schultz, Rob | Article | Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith | 18.4, 2012 | HTML
PDF | Schumann, Scott C. | Article | Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan | 27.2, 2021 | HTML
PDF | Schutz, Michael and Fiona Manning | Article | Looking Beyond the Score: The Musical Role of Percussionists’ Ancillary Gestures | 18.1, 2012 | HTML
PDF | Scotto, Ciro | Essay | The Symbiosis of Disability | 15.3, 2009 | HTML
PDF | Scotto, Ciro | Essay | What Do I Hear Now, Groupwise? | 17.2, 2011 | HTML
PDF | Scotto, Ciro G. | Article | Transformational Networks, Transpositional Combination, and Aggregate Partitions in Processional by George Crumb | 8.3, 2002 | HTML/Frames
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PDF | Segall, Christopher | Essay | Sergei Taneev’s Vertical-Shifting Counterpoint: An Introduction | 20.3, 2014 | HTML
PDF | Segall, Christopher | Article | Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords | 24.2, 2018 | HTML
PDF | Seress, Hugues | Essay | Polarization, Modal Orientation, and Voice Leading: Interaction between Hierarchical Levels of Tonal Structure in Dohnányi’s op. 26 | 24.4, 2018 | HTML
PDF | Shaffer, Kris P. | Article | A Proposal for Open Peer Review | 20.1, 2014 | HTML
PDF | Shaftel, Matthew | Article | Demographics, Analytics, and Trends: The Shifting Sands of an Online Engagement with Music Theory | 20.1, 2014 | HTML
PDF | Shanahan, Daniel | Review | Review of Aniruddh D. Patel, Music, Language, and the Brain (Oxford University Press, 2008) | 15.5, 2009 | HTML
PDF | Shea, Nicholas, Lindsey Reymore, Christopher Wm. White, Ben Duinker, Leigh VanHandel and Nicole Biamonte | Article | Diversity in Music Corpus Studies | 30.1, 2024 | HTML
PDF | Sheehy, August | Review | Review of Elliott Antokoletz and Marianne Wheeldon eds., Rethinking Debussy (Oxford University Press, 2011) | 19.1, 2013 | HTML
PDF | Sheehy, August | Essay | Improvisation, Analysis, and Listening Otherwise | 19.2, 2013 | HTML
PDF | Sheehy, August and Paul Steinbeck | Essay | Introduction: Theorizing Improvisation (Musically) | 19.2, 2013 | HTML
PDF | Sherrill, Paul | Article | Susanna’s “Deh vieni” | 24.4, 2018 | HTML
PDF | Short, Rachel | Article | Three Sailors, Three Personalities: Choreomusical Analysis of the Solo Variations in Fancy Free | 30.3, 2024 | HTML
PDF | Shupe, Abigail | Article | War and the Musical Grotesque in Crumb’s “When Johnny Comes Marching Home” | 27.2, 2021 | HTML
PDF | Silberman, Peter | Article | Post-Tonal Improvisation in the Aural Skills Classroom | 9.2, 2003 | HTML/Frames
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PDF | Sly, Gordon | Review | Review of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010) | 18.2, 2012 | HTML
PDF | Smith, Elizabeth Lena | Review | Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas (University of North Texas Press, 2008) | 14.4, 2008 | HTML
PDF | Smith, Eron | Article | Prosodic Dissonance | 30.2, 2024 | HTML
PDF | Smith, Jeremy W. | Article | The Functions of Continuous Processes in Contemporary Electronic Dance Music | 27.2, 2021 | HTML
PDF | Smith, Jordan B. L., Isaac Schankler and Elaine Chew | Article | Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances | 20.3, 2014 | HTML
PDF | Smither, Sean R. | Article | Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz | 25.2, 2019 | HTML
PDF | Smither, Sean R. | Article | Referents in the Palimpsests of Jazz: Disentangling Theme from Improvisation in Recordings of Standard Jazz Tunes | 30.3, 2024 | HTML
PDF | Smoliar, Stephen | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
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ASCII | Smoliar, Stephen | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
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ASCII | Smoliar, Stephen | Commentary | Mathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10) | 0.10, 1994 | HTML
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ASCII | Smoliar, Stephen | Commentary | Commentary on Roeder (MTO 0.5) | 0.6, 1994 | HTML
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ASCII | Smoliar, Stephen | Article | Computers Compose Music, But Do We Listen? | 0.6, 1994 | HTML
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ASCII | Smoliar, Stephen | Commentary | Musical Objects: Response to John Covach (MTO 0.11) | 1.1, 1995 | HTML
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ASCII | Smoliar, Stephen | Review | Review of Robert Cogan, New Images of Musical Sound (Harvard University Press, 1984) | 1.3, 1995 | HTML
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ASCII | Smucker, Peter | Review | Review of Laura Emmery, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches (Routledge, 2020) | 27.4, 2021 | HTML
PDF | Smyth, David H. | Review | Review of Maureen A. Carr ed., Stravinsky's Histoire du soldat: A Facsimile of the Sketches (A-R Editions, 2005) | 12.2, 2006 | HTML
PDF | Snodgrass, Jennifer Sterling | Commentary | Integration, Diversity, and Creativity: Reflections on the “Manifesto” from the College Music Society | 22.1, 2016 | HTML
PDF | Snyder, John L. | Review | Review of Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven (Cambridge University Press, 2002) | 10.4, 2004 | HTML
PDF | Sobaskie, James William | Article | Contextual Drama in Bach | 12.3, 2006 | HTML/Frames
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PDF | Soderberg, Stephen | Article | White Note Fantasy | 4.3, 1998 | HTML/Frames
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ASCII | Soderberg, Stephen | Article | White Note Fantasy, Part II: A Few Hypertonal Variations | 5.2, 1999 | HTML/Frames
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ASCII | Spicer, Mark | Review | Review of Walter Everett, The Beatles as Musicians: The Quarry Men Through Rubber Soul (Oxford University Press, 2001) | 11.4, 2005 | HTML/Frames
HTML | Spicer, Mark | Article | (Per)Form in(g) Rock: A Response | 17.3, 2011 | HTML
PDF | Spicer, Mark | Article | Fragile, Emergent, and Absent Tonics in Pop and Rock Songs | 23.2, 2017 | HTML
PDF | Spreadborough, Kristal | Article | Emotional Tones and Emotional Texts: A New Approach to Analyzing the Voice in Popular Vocal Song | 28.2, 2022 | HTML
PDF | Sprick, Jan Philipp | Essay | Sequences: Between Affirmation and Destruction of Tonality | 24.4, 2018 | HTML
PDF | Stankis, Jessica E. | Article | Maurice Ravel’s “Color Counterpoint” through the Perspective of Japonisme | 21.1, 2015 | HTML
PDF | Steinbeck, Paul | Essay | Improvisational Fictions | 19.2, 2013 | HTML
PDF | Steinbeck, Paul | Article | Talking Back: Performer-Audience Interaction in Roscoe Mitchell’s “Nonaah” | 22.3, 2016 | HTML
PDF | Stephan-Robinson, Anna | Review | Review of Leigh Van Handel, Music Theory Skill Builder (Oxford University Press, 2013) | 20.3, 2014 | HTML
PDF | Stephenson, Alex | Article | The Poetics and Politics of Ambiguity: Overtone Structures and Equal Temperament in Works by Julian Anderson and Rand Steiger | 28.2, 2022 | HTML
PDF | Stephenson, Ken | Review | Review of Kevin Holm-Hudson, Genesis and "The Lamb Lies Down On Broadway" (Ashgate, 2008) | 16.1, 2010 | HTML
PDF | Sterbenz, Maeve | Article | Movement, Music, Feminism: An Analysis of Movement-Music Interactions and the Articulation of Masculinity in Tyler, the Creator’s ‘Yonkers’ Music Video | 23.2, 2017 | HTML
PDF | Stoecker, Philip | Commentary | Without a Safety (k)-Net | 13.3, 2007 | HTML
PDF | Stoia, Nicholas | Article | Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–1945 | 16.3, 2010 | HTML
PDF | Stoia, Nicholas | Article | Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll | 26.4, 2020 | HTML
PDF | Stover, Chris | Review | Review of Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965–68 (Oxford University Press, 2011) | 18.1, 2012 | HTML
PDF | Stover, Chris | Review | Review of Judy Lochhead, Reconceiving Structure in Contemporary Music (Routledge, 2015) | 22.4, 2016 | HTML
PDF | Stover, Chris | Article | Time, Territorialization, and Improvisational Spaces | 23.1, 2017 | HTML
PDF | Straus, Joseph | Essay | Introduction | 15.3, 2009 | HTML
PDF | Straus, Joseph N. | Commentary | Post-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11) | 1.1, 1995 | HTML
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ASCII | Straus, Joseph N. | Article | SMT 1997 Plenary Session: Introductory Remarks | 4.2, 1998 | HTML/Frames
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ASCII | Straus, Joseph N. | Article | Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi” | 18.4, 2012 | HTML
PDF | Straus, Joseph N. | Article | Total Voice Leading | 20.2, 2014 | HTML
PDF | Straus, Joseph N. | Article | The Melodic Organization of The Rite of Spring | 28.4, 2022 | HTML
PDF | Stroud, Cara | Review | Review of Lori Burns and Serge Lacasse, eds., The Pop Palimpsest: Intertextuality in Recorded Popular Music (University of Michigan Press, 2018) | 25.2, 2019 | HTML
PDF | Stroud, Cara | Article | Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015 | 28.2, 2022 | HTML
PDF | Sullivan, James | Article | Extending the Parallel Multiple-Analysis Processor: Perceived Meter in Post-Tonal Music | 29.1, 2023 | HTML
PDF | Summach, Jay | Article | The Structure, Function, and Genesis of the Prechorus | 17.3, 2011 | HTML
PDF | Suurpää, Lauri | Review | Review of Heather Platt and Peter H. Smith, eds., Expressive Intersections in Brahms: Essays in Analysis and Meaning (Indiana University Press, 2012) | 20.3, 2014 | HTML
PDF | Tönies, Simon | Article | Pitch Registration and Harmonic Fields in Works of Pierre Boulez, Marco Stroppa, and Yukiko Watanabe | 30.2, 2024 | HTML
PDF | Takehana, Elise O. | Review | Review of Nicola Dibben, Björk (Indiana University Press, 2009) | 16.3, 2010 | HTML
PDF | Tan, Daphne | Review | Review of Eric Clarke, Ways of Listening: An Ecological Approach to the Perception of Musical Meaning (Oxford University Press, 2005; paperback, 2011) | 21.3, 2015 | HTML
PDF | Tatar, Jeremy | Article | Injury, Affirmation, and the Disability Masquerade in Ye’s “Through the Wire” | 29.2, 2023 | HTML
PDF | Taylor, Stephen A. | Article | Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie" | 3.3, 1997 | HTML/Frames
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ASCII | Temperley, David | Review | Review of Joseph Swain, Musical Languages (W.W. Norton & Company, 1997) | 5.3, 1999 | HTML
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ASCII | Temperley, David | Article | The Cadential IV in Rock | 17.1, 2011 | HTML
PDF | Temperley, David | Article | Scalar Shift in Popular Music | 17.4, 2011 | HTML
PDF | Temperley, David | Review | Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016) | 22.2, 2016 | HTML
PDF | Temperley, David, Iris Ren and Zhiyao Duan | Article | Mediant Mixture and “Blue Notes” in Rock: An Exploratory Study | 23.1, 2017 | HTML
PDF | Temperley, David | Article | Uniform Information Density in Music | 25.2, 2019 | HTML
PDF | Temperley, David | Review | Review of Matthew Santa, Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Music (Routledge, 2020) | 28.4, 2022 | HTML
PDF | Tenzer, Michael | Article | Theory and Analysis of Melody in Balinese Gamelan | 6.2, 2000 | HTML/Frames
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ASCII | Tenzer, Michael | Commentary | Africa Stand Up!—and Be Counted Among Others | 16.4, 2010 | HTML
PDF | Tenzer, Michael | Article | Chasing the Phantom: Features of a Supracultural New Music | 24.1, 2018 | HTML
PDF | Terrigno, Loretta | Article | Emergent Modality: Minor-to-Major Progressions as “Tragic-to-Transcendent” Narratives in Brahms’s Solo Songs | 27.3, 2021 | HTML
PDF | Theisen, Alan | Review | Review of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (University of Rochester Press, 2010) | 19.1, 2013 | HTML
PDF | Thomas, Margaret E. | Article | Conlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation | 20.1, 2014 | HTML
PDF | Thomas, Margaret E. | Article | Text and Temporality: Toward an Understanding of Rhythmic Irregularities in the Music of Tom Waits | 22.4, 2016 | HTML
PDF | Thurmaier, David | Review | Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007) | 18.4, 2012 | HTML
PDF | Toorn, Pieter C. van den | Article | A Response to Richard Taruskin’s “A Myth of the Twentieth Century” | 1.5, 1995 | HTML
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ASCII | Traut, Don | Review | Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (The Scarecrow Press, 2005) | 15.1, 2009 | HTML
PDF | Traut, Don | Review | Review of Severine Neff, Maureen Carr, and Gretchen Horlacher, eds., with John Reef, The Rite of Spring at 100 (Indiana University Press, 2017) | 24.1, 2018 | HTML
PDF | Traut, Donald G. | Essay | Dyadic TC Lattices: Revisiting the TC/IS Relationship | 15.5, 2009 | HTML
PDF | Trevor, Caitlyn and David Huron | Article | Animated Performance: ‘Better’ Music Means Larger Motions | 24.4, 2018 | HTML
PDF | Trinastic, Michael K. | Article | Dissonant Harmony and “Seed-Tones”: Organicism in the Piano Music of Dane Rudhyar | 20.2, 2014 | HTML
PDF | Tuck, Patrick | Review | Review of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (W.W. Norton, 2005) | 15.2, 2009 | HTML
PDF | Tuck, Patrick | Review | Review of Kent D. Cleland and Mary Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight-Singing and Ear-Training (Routledge, 2010) | 17.1, 2011 | HTML
PDF | Turci-Escobar, John | Review | Review-essay of Kacey Link and Kristin Wendland, Tracing Tangueros: Argentine Tango Instrumental Music (Oxford, 2016) | 25.3, 2019 | HTML
PDF | Turner, John W. | Article | Performing Cultural Hybridity in Isang Yun’s Glissées pour violoncelle seul (1970) | 25.2, 2019 | HTML
PDF | Turner, JW | Review | Review of Markand Thakar, Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) | 21.4, 2015 | HTML
PDF | Tymoczko, Dmitri | Article | Voice Leadings as Generalized Key Signatures | 11.4, 2005 | PDF | Tymoczko, Dmitri | Commentary | Recasting K-nets | 13.3, 2007 | HTML
PDF | Tymoczko, Dmitri | Commentary | Geometrical Methods in Recent Music Theory | 16.1, 2010 | HTML
PDF | Tymoczko, Dmitri | Review | Review of Michael Cuthbert, Music21: a Toolkit for Computer-aided Musicology (http://web.mit.edu/music21/) | 19.3, 2013 | HTML
PDF | Tymoczko, Dmitri | Review | Review-Essay on Fred Lerdahl’s Composition and Cognition (University of California Press, 2019) | 26.1, 2020 | HTML
PDF | Urista, Diane | Article | Chopin’s Prelude in C Major Revisited: Integrating Sound and Symbol | 13.1, 2007 | HTML
PDF | Urista, Diane J. | Article | Beyond Words: The Moving Body as a Tool for Musical Understanding | 9.3, 2003 | HTML/Frames
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PDF | Utne-Reitan, Bjørnar | Article | Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy | 30.3, 2024 | HTML
PDF | Utz, Christian and Thomas Glaser | Article | Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg’s Sechs kleine Klavierstücke, op. 19 (1911), in the Recordings of Eduard Steuermann and Other Pianists | 26.4, 2020 | HTML
PDF | Utz, Christian | Article | Reimagining Formal Functions in Post-Tonal Music: Temporality in the Semanticized Form of Salvatore Sciarrino | 29.4, 2023 | HTML
PDF | Väisälä, Olli | Review | Review of Timothy L. Jackson and Veijo Murtomäki eds. Sibelius Studies (Cambridge University Press, 2001) | 8.4, 2002 | HTML/Frames
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PDF | Väisälä, Olli | Commentary | Rhetoric and Justification in Analysis: A Commentary on Eric Wen’s Commentary | 14.2, 2008 | HTML
PDF | Vercelli, Michael and Janet Sturman | Commentary | Commentary on "Rhythm: Africa and Beyond" | 16.4, 2010 | HTML
PDF | Vetter, Roger | Review | Review of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance (Oxford University Press, 1998) | 6.1, 2000 | HTML
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ASCII | Villegas Vélez, Daniel | Review | Review of Lawrence Kramer, The Thought of Music (University of California Press, 2016) | 23.1, 2017 | HTML
PDF | Vlagopoulos, Panos | International Report | Music Theory In Greece | 4.3, 1998 | HTML
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ASCII | Vlagopoulos, Panos | International Report | Report on the First Symposium On Computer and Music in Corfu, Greece (23–25 October 1998) | 5.1, 1999 | HTML
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ASCII | Von Glahn, Denise | Review | Review of Matthew McDonald, Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives (Indiana University Press, 2014) | 22.3, 2016 | HTML
PDF | Wadsworth, Benjamin K. | Article | Directional Tonality in Schumann’s Early Works | 18.4, 2012 | HTML
PDF | Wadsworth, Benjamin K. | Review | Review of David Damschroder, Tonal Analysis: A Schenkerian Perspective (W.W. Norton, 2017) | 24.3, 2018 | HTML
PDF | Wai-Ling, Cheong | Report | Identity and Influence: New Music Research at Wuhan Music Conservatory | 6.3, 2000 | HTML
PDF | Walden, Daniel K. S. | Article | Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis | 16.3, 2010 | HTML
PDF | Walker, Jonathan | Commentary | The Deconstruction of Musicology: Poison or Cure? | 2.4, 1996 | HTML
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ASCII | Walker, Jonathan | Commentary | Intonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony | 2.6, 1996 | HTML
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ASCII | Walker, Jonathan | Review | Review of Adam Krims, Rap Music and the Poetics of Identity (Cambridge University Press, 2000) | 7.4, 2001 | HTML/Frames
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PDF | Wallmark, Zachary | Article | Analyzing Vocables in Rap: A Case Study of Megan Thee Stallion | 28.2, 2022 | HTML
PDF | Wannamaker, Robert A. | Article | Structure and Perception in Herma by Iannis Xenakis | 7.3, 2001 | HTML/Frames
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PDF | Waters, Keith | Article | Other Good Bridges: Continuity and Debussy’s “Reflets dans l’eau” | 18.3, 2012 | HTML
PDF | Waters, Keith J. and J. Kent Williams | Article | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | 16.3, 2010 | HTML
PDF | Weisser, Benedict | Review | Review of David Cope, Techniques of the Contemporary Composer (Schirmer Books, 1997) | 4.1, 1998 | HTML/Frames
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ASCII | Wells, Robert L. | Article | A Generalized Intervallic Approach to Metric Conflict in Liszt | 23.4, 2017 | HTML
PDF | Wen, Eric | Commentary | Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet | 14.1, 2008 | HTML
PDF | Wen, Eric L. | Commentary | More on Sharp to Natural : Further thoughts on Frank Samarotto’s article “Sublimating Sharp : An Exercise in Schenkerian Energetics” | 10.4, 2004 | HTML
PDF | Wennerstrom, Mary | Article | SMT at 25: A View from the Balance Sheet | 9.1, 2003 | HTML
PDF | Wennerstrom, Mary | Review | Review of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014) | 19.4, 2013 | HTML
PDF | Wente, Allison | Article | Queue the Roll: Taylorized Labor Practices and Music of the Machine Age | 24.4, 2018 | HTML
PDF | Westerhaus, Andrew | Review | Review of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (Oxford University Press, 2011) | 17.4, 2011 | HTML
PDF | White, Christopher Wm. | Article | Feedback and Feedforward Models of Musical Key | 24.2, 2018 | HTML
PDF | Wibberley, Roger | Article | Josquin’s Ave Maria: Musica Ficta versus Mode | 2.5, 1996 | HTML
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ASCII | Wibberley, Roger | Commentary | “Mode versus Ficta” in Context (response to Bent, MTO 2.6) | 2.7, 1996 | HTML
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ASCII | Wibberley, Roger | Article | J. S. Bach’s Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart? | 4.5, 1998 | HTML/Frames
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ASCII | Wibberley, Roger | Article | Quid non ebrietas dissignat? Willaert’s didactic demonstration of Syntonic tuning | 10.1, 2004 | HTML/Frames
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PDF | Wibberley, Roger | Article | Syntonic Tuning: Creating a Model for Accurate Electronic Playback | 10.1, 2004 | HTML/Frames
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PDF | Wibberley, Roger | Article | Syntonic Tuning: A Sixteenth-Century Composer’s Soundscape | 10.1, 2004 | HTML/Frames
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PDF | Wibberley, Roger | Commentary | Models for Chord Doubling (and Spacing): Which Ones Don’t We Need? | 10.3, 2004 | HTML
PDF | Wild, Jonathan | Review | A Review of David Huron, The Humdrum Toolkit: UNIX Tools for Musical Research | 2.7, 1996 | HTML
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ASCII | Wild, Jonathan | Article | Genus, Species and Mode in Vicentino’s 31-tone Compositional Theory | 20.2, 2014 | HTML
PDF | Willey, Robert | Article | Introduction to the MTO Nancarrow Symposium | 20.1, 2014 | HTML
PDF | Willey, Robert | Review | Review of Jürgen Hocker; Steven Lindberg trans., Encounters With Conlon Nancarrow (Lexington Books, 2012) | 20.1, 2014 | HTML
PDF | Willey, Robert | Article | The Editing and Arrangement of Conlon Nancarrow’s Studies for Disklavier and Synthesizers | 20.1, 2014 | HTML
PDF | Williams, Justin A. | Commentary | Beats and Flows: A Response to Kyle Adams, “Aspects of the Music/Text Relationship in Rap” | 15.2, 2009 | HTML
PDF | Willis, Laurence Sinclair | Article | Comprehensibility and Ben Johnston’s String Quartet No. 9 | 25.1, 2019 | HTML
PDF | Willner, Channan | Article | More on Handel and the Hemiola: Overlapping Hemiolas | 2.3, 1996 | HTML
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ASCII | Willner, Channan | Commentary | Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5) | 2.7, 1996 | HTML
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ASCII | Woodley, Ronald | Article | Sharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications | 12.2, 2006 | PDF | Woodruff, Eliot Ghofur | Article | Metrical Phase Shifts in Stravinsky’s The Rite of Spring | 12.1, 2006 | HTML/Frames
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PDF | Yi, Chen | Article | Compositional Process and Technique in Happy Rain on a Spring Night (2004) | 26.3, 2020 | HTML
PDF | Yorgason, Brent and Jeff Lyon | Article | Fanfare as Fulcrum: A Pivotal Event in Max Steiner’s Theme for Warner Brothers | 26.2, 2020 | HTML
PDF | Yu Wang, Anna | Article | Philosophizing Time in Sinitic Opera | 29.3, 2023 | HTML
PDF | Yunek, Jeffrey Scott | Review | Review of Kenneth Smith and Vasilis Kallis, eds., Demystifying Scriabin (Boydell Press, 2022) | 29.3, 2023 | HTML
PDF | Yust, Jason | Review | Review of Richard Cohn, Audacious Euphony: Chromaticism and the Triad’s Second Nature (Oxford University Press, 2012) | 18.3, 2012 | HTML
PDF | Yust, Jason | Article | Voice-Leading Transformation and Generative Theories of Tonal Structure | 21.4, 2015 | HTML
PDF | Yust, Jason | Review | Review of Emmanuel Amiot, Music through Fourier Space: Discrete Fourier Transform in Music Theory (Springer, 2016) | 23.3, 2017 | HTML
PDF | Zavlunov, Daniil | Essay | The “tselostnyĭ analiz” (holistic analysis) of Zuckerman and Mazel | 20.3, 2014 | HTML
PDF | Zayaruznaya, Anna | Article | Intelligibility Redux: Motets and the Modern Medieval Sound | 23.2, 2017 | HTML
PDF | Zbikowski, Lawrence | Article | Theories of Categorization and Theories of Music | 1.4, 1995 | HTML
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ASCII | Zbikowski, Lawrence | Commentary | Response to Robison, “Category Structures and Fuzzy Sets” (MTO 1.5) | 1.5, 1995 | HTML
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ASCII | Zbikowski, Lawrence | Article | Metaphor and Music Theory: Reflections from Cognitive Science | 4.1, 1998 | HTML/Frames
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ASCII | Zbikowski, Lawrence M. | Essay | Performing Agency: A Response | 24.3, 2018 | HTML
PDF | Zeller, Matthew | Article | Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10 | 28.1, 2022 | HTML
PDF | Zeller, Matthew | Article | Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” | 29.3, 2023 | HTML
PDF | Zhang, Xieyi (Abby) | Article | Between Half and Perfect Cadences: The Modulating Antecedent in Dvořák’s Parallel Periods | 29.1, 2023 | HTML
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